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Our teachers would convene in the back of the gym basement, drinking coffee and eyeing us suspiciously. But wait, before I go on, I have a secret: I went to Catholic school for 12 years. And now that the pope is dead, I'm not in mourning as much as I'm thinking about the cool black and white papal smoke they taught us about. I don't think that makes me sick. Making a Polish joke here would, though.
Any good musician wakes up in the morning with this thought in his head: "Today, I'm going to write the greatest song in the world." This mantra is what drives anyone in the business.
Morgan Spurlock's had a pretty good year -- he had the top documentary, Super Size Me, at the box office until Michael Moore's Fahrenheit 9/11 bumped him down to number two. Now, with a base of puking fast food retirees at his back, Morgan is touring colleges and high schools nationwide in order to spread his message of healthy living. Morgan talked to Street about his popular film and his new television show from the comforts of his Holiday Inn Express room.
Matt Klapper's run as President of the Class of 2005 has been memorable. While he may not receive the J-Ro treatment as his final term comes to a close, many Penn students are tossing around phrases like "Matt Klapper dynasty." Street sat down with Klapper to talk about his rise to Ivy League fame.
Like many correspondents before him, Ed Helms has used The Daily Show's success to rise to new heights. He's also an author (America: The Book is available now) and has become so elite that he won't set foot in VH1 any time soon. Now, Ed wants to take on a new challenge: toppling Penn's a cappella groups.
Andre Heinz, stepson of Massachusetts Senator John Kerry, has hit the road, travelling across the nation to talk about the environment and youth voter turnout. He talked to 'Street' about this, as well as why he will go against his Republican-voting past in November.
Zom-coms may be a one-film genre, but it should already be your favorite. Street sat down with Shaun of the Dead director Edgar Wright and stars Simon Pegg (Shaun) and Nick Frost (Ed) to talk about zombies, genitals and Coldplay's Chris Martin.
If you're looking to get some wind in your face -- and if letting the El rush past you just isn't cutting it -- take a trip to Six Flags Theme Park before the summer packs up and leaves. Just make sure that there isn't a cloud in the sky.
Before this week's critics screening of The Village, Touchstone Pictures asked that critics refrain from spoiling critical plot points in the film for the reader. Will that make my job tougher? Sure, but I'll oblige. Nervous readers, do not fret: this review is spoiler-free.
Zach Braff, star of NBC's Scrubs, makes his directorial debut with Garden State, which he also wrote and stars in. The film is a sweet tale about a 20-something who goes back home to New Jersey for his mother's funeral. Garden State is an impressive debut for Braff, and it's one of the best films to come out thus far in 2004. The film debuts in theaters nationwide on August 6. Street had a chance to sit down with Zach and talk about his film.
As you walk into the Left Field Entrance at Citizens Bank Park, the new Philadelphia Phillies baseball stadium in South Philadelphia, you'll be struck by a few things. First, there are the gigantic baseball cards that present that day or night's lineup. Second, above the cards, there is a gigantic photograph of the Phillie Phanatic, perhaps the best and most popular team mascot in professional sports. And finally, as you walk through the outfield walkway named "Ashburn Alley" (after Phillies Hall of Famer Richie Ashburn), you will notice many local food establishments, like Tony Luke's, Geno's and Peace A Pizza.
Tyrannosaurus Hives is misleading after an inital spin. Compared to the garage band's second album, 2000's Veni Vidi Vicious, this album is cold and slick, very different from the raw Vicious, which had a basic live sound. After a few more listens, however, the new album's sheen begins to wear off. Beneath the production lies a creative, catchy punk rock album from a band much more creative than their matching suits.
Will Smith used to be the King of Summer, launching huge blockbusters like Independence Day and Men in Black. After bombing with Wild Wild West, however, Smith has struggled to reach his previous heights. The Legend of Bagger Vance was a noble idea, but the entire cast seemed confused about why they were there. Ali met a mixed reaction from critics and audiences alike, so Will put on training wheels and went back to Bad Boys and Men in Black for sequels. In I, Robot, Smith tries to balance his penchant for wisecracks with a potentially weighty sci-fi thriller. Unfortunately, Smith's presence taints what could have been another successful, mainstream sci-fi blockbuster, much like 2002's Minority Report.
The Roots know they're on the cusp of entering the upper echelon of rap popularity. Forever championed by critics and underground hip-hop fans, the group has scored hits on their past two albums: "You Got Me" from 1999's Things Fall Apart and "The Seed (2.0)" from 2002's Phrenology. The Tipping Point means many things to the band, including that this album may very well decide if this band is accepted by the general hip-hop populace, or left to be appreciated by those who look hard enough for good hip-hop.
The titles on Together We're Heavy, the second album from The Polyphonic Spree, are numbered from 11 to 20, continuing from the first ten sections of the band's debut, The Beginning Stages of... Despite the titling, however, things couldn't be more different on this sophomore effort.
With the release of Will Ferrell's new comedy, Anchorman: The Legend of Ron Burgundy, this summer is officially a good one for comedy. Sure, White Chicks is a blemish on this summer's comedic report card, but Mean Girls, Dodgeball and Anchorman are all solid comedic films, even if they're far from perfect.
The original Spider-man was a good film -- in fact, it probably was the best movie to come out of the recent comic book craze in the film industry. That, of course, should stand as a testament to how great Spider-man 2 is since it blows the original out of the water. Spider-man 2 is not only the best comic book film, but it will go down as one of the best films of 2004 and one of the best summer blockbusters ever.
The four-star grade is pretty random. As a film, Fahrenheit 9/11 has its flaws, but as a 2004 event, it's more important than any other movie released in 2004. Sure, Eternal Sunshine of the Spotless Mind is better -- so is Spider-Man 2 -- but they have a very loose relationship with time. Fahrenheit 9/11 is a film that you need to see now. Not because the critics say so, but because it's a 2 hour collection of the questions that you should be asking as an important November election approaches.
Like many Ben Stiller movies, Dodgeball: A True Underdog Story features a great comic premise that never fires on all cylinders. Starring as White Goodman, Stiller has the dumb, punishing globe owner shtick down pat, but the act tires when the writing doesn't provide any solid jokes. Stiller's voice work is funny during the opening gym commercial, but after that, it succeeds only when the gags work.
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