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Subversive Transparence: Why Ben Shapiro Is Wrong About ‘Glass Onion’

(02/13/23 11:00am)

One of my favorite introductions to a film is that of Quentin Tarantino’s Inglourious Basterds. (Which, if you haven’t seen, you should go and watch immediately before reading this spoiler.) In it, a Nazi colonel (Christoph Waltz) visits a French farmer’s (Denis Ménochet) house, responding to rumors that someone in the area is clandestinely sheltering a Jewish family from the Holocaust. The first ten minutes play out, slowly building tension as the audience attempts to piece together which character knows something that the other does not. Then, as the farmer details the ages and features of the family’s children, the camera slowly pans down to reveal them quietly hiding beneath the floorboards.

https://www.34st.com/article/2023/02/glass-onion-ben-shapiro-murder-mystery

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Redefining the “Hoe Phase”?

(01/25/23 11:00am)

Ah, the so–called “hoe phase.” It’s a rite of passage, of sorts, of the college experience. Put simply, it consists of a period of your life, usually relatively short (hence: phase) when you engage in some form of sexual relations with a string of different people. Though such relations are often characterised as immature, knee–jerk reactions to heartbreak, they need not be defined by their background or the person in them: any time of relative promiscuity essentially fits the bill.

https://www.34st.com/article/2023/01/sex-hoe-phase-relationship-reclamation-romance-college

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A look back on ‘Pitch Perfect’s’ legacy from Penn’s a cappella community

(11/27/22 9:54pm)

“I honestly think Pitch Perfect did wonders for college a cappella,” Victoria Conroy (C ’24), music director of the pop/rock a cappella group Off The Beat, told Street. “I think one of the reasons that it was so successful is that there’s nothing like college a cappella … and there’s just something about it that draws people into it.”

https://www.34st.com/article/2022/11/pitch-perfect-a-cappella-penn-singing-riff-off

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Revisiting ‘Avatar’ 13 years after its initial release, does the modern classic still hold up?

(10/05/22 10:00pm)

Avatar is, by most accounts, a modern classic: a technological masterpiece and the arguable founder of Hollywood’s current CGI era, all while consistently defending its spot as the highest–grossing film of all time. And yet, before last week, I had never seen it. Remaining an Avatar virgin, so to speak, wasn’t a deliberate move; I just happened to miss it when it came out and never felt very compelled to catch up on it. There isn’t exactly a lack of graphics–heavy Disney content these days, after all, and there is much more media touting that the movie’s plot is mostly forgettable than singing its praises.

https://www.34st.com/article/2022/10/avatar-way-of-water-oscar-cgi-navi-jake-plot-james-cameron-pandora

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