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Arts & Entertainment

This Week ...

MUSIC Monday, 9/20: No Age with Small Black and Grandchildren.

by 34TH STREET

Fall Film Predictions

As we transition from summer excess to academic studiouness, Hollywood too is laying down its machine guns in favor of more intellectual fare.

by 34TH STREET

Review: The Town

This is not the screwing around crew Ben Affleck’s first feature, Gone Baby Gone, was an intimate drama about detectives searching for a missing girl.

by 34TH STREET

Review: Easy A

We're back in high school again Easy A, the newest movie about high school, wants to be both a commentary on John Hughes-directed ‘80s films and itself a Hughes-directed movie.

by 34TH STREET

In The News

M.I.A. has announced the dates for her latest tour. She’ll be stopping at the Electric Factory on Sep.

by 34TH STREET

Defibrillator: LFO, "Summer Girls" (1999)

Music has had myriad purposes in my life, but only one song has ever turned me onto a clothing line.

by 34TH STREET

Review: Interpol, Interpol

Rockers stay moody on self-titled album Paul Banks has the second most ominous voice in indie rock today (Tom Smith of Editors takes first prize). While Interpol has surely crafted valuable tracks in the past the part of them that is most singularly Interpol is Banks’s cavernous, almost nefarious bellow.

by 34TH STREET

Review: Lisbon, The Walkmen

On their latest LP, indie rock veterans get lost in the details. As coy and ironic as the modern indie landscape may be, The Walkmen have always aimed for the gut of both their fan base and their steady, shifting musical output.

by 34TH STREET

Summer In Music

We know that by now, summer seems like a sad, distant memory. As you struggle to get into the school grind, take a look back at some of summer’s happenings in music both in Philly and beyond.

by 34TH STREET

Shake It Like a Salt Shaker

Anyone who saw either of the Tomb Raiders might be inclined to think Angelina Jolie + action movie = awful monstrosity.

by 34TH STREET

Lez (Not So) Miserables

The biggest surprise about The Kids are All Right, popularly billed as “that movie about the lesbian moms” is that it ends up being so much more than just that.

by ALEXA BRYN

The 2010 Summer Playlist

1. Danger Mouse & Sparklehorse — "Revenge" 2. Lady Gaga — "Teeth" 3. Sleigh Bells — "Rill Rill" 4. Big Boi — "Shutterbugg" 5. Wavves — "Post-Acid" 6. Kanye West — "Power" 7. LCD Soundsystem — "Drunk Girls" 8. Foals — "Miami" 9. Neon Indian — "Deadbeat Summer" 10. M.I.A.

by LUCY MCGUIGAN

Q+A - Netherfriends

Netherfriends is Shawn Rosenblatt, a 23-year-old Chicagoan-via-Suburban Philadelphia who produces buoyant psychedelic pop that ranges from frustrated to ecstatic in tone.

by DANIEL FELSENTHAL

Q+A - Here We Go Magic

Born out of a bedroom psych-folk project by singer-guitarist Luke Temple, Here We Go Magic has bloomed into a buzzworthy indie rock act with two albums under its belt.

by DANIEL FELSENTHAL

Hopelessly Devoted to You

When we think of devotion, we immediately conjure up religious bowing and scraping or I-can’t live-without-you love stories.

by ANNIE NAYAK

The Edge of Darkness

Like a typical suburban family’s home, Dark Night of the Soul is a collaboration on multiple levels.

by 34TH STREET

You Can Ring My Bell

For the most part, tracing the genealogy of most current cutting-edge bands is pretty straightforward.

by JOE PINSKER

Papa Don't Preach

If you’re looking for something to make Summer 2010 last just a bit longer, Father of My Children (suprisingly not a story about baby daddies) will make you feel some excruciatingly long moments.

by MEG SCHNEIDER

Stop Forkin' Around

CHICAGO — Over the past several years, the Pitchfork Music Festival in Chicago’s Union Park has valiantly worked to separate itself from the usual crop of summer festivals, attracting attendees with an ear for interesting bands and a yearning for more comfortable, personal concert experiences.

by DANIEL FELSENTHAL

Oh My Goddess

The sound that dominates today’s dance floor is a heady mixture of R&B and techno, whose building beats and naughty lyrics are best characterized by the likes of Lady Gaga, Rihanna and Ke$ha, the new divas of nightlife.

by ANNIE NAYAK

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