It’s easy to forget that, in 1995, it was Toy Story that profoundly changed the face of animation, rendering, for the first time, a face with shine on its forehead and a realistic shadow cast under its nose.
The best adults are the ones that retain some sense of youth on the inside. When they released their frenetic debut, A Lesson in Crime, Tokyo Police Club were kids.
Probably the farthest thing from the over the top “passion” on The Jersey Shore, the Italian film I Am Love is a quietly moving and understated look at relationships.
Recovery, the title of Eminem’s seventh studio album is fitting in more ways than one. While alluding to rehabilitation from a prescription drug addiction, it also references a recovery of his lyrical prowess.
Early in the film, Get Him to The Greek, a spin-off of the brilliantly funny Forgetting Sarah Marshall, seems to have all the promise of its predecessor.
Considering that Beyonce and the meteoric Lady Gaga currently dominate the pop music star-scape, the news that now-antiquated Christina Aguilera has released a new album, her first since 2006’s Back to Basics, may seem no cause for commotion.
Battle wounds, malaria treatment and vaccinations are to be expected in a film documenting the mission of four Doctors Without Borders/Medecins Sans Frontieres (MSF) volunteers in devastated Liberia and war-torn Congo.
George A. Romero has made a career out of zombie movies, starting all the way back in 1968 with Night of the Living Dead. His latest offering, the upcoming Survival of the Dead, makes perfectly clear that it’s time for Romero to lay this sub-genre to rest.
The much-hyped sophomore album has proven an enigma for most bands. More often than not, indie buzz bands release follow-up albums that are intentionally completely different from their first, if only to show that they don’t want to be the same as they were (even if they really are the same as they were). Lately, these sophomore albums have tended to disappoint early fans while at the same time pleasantly surprising many reviewers.
Four-piece Seattle-based indie-prog band Minus the Bear recently released their fourth album, OMNI, three years after the critical and commerical success of their last LP.
Senior Curator Ingrid Schaffner riffs on the opening of the ICA's newest exhibition, Queer Voice. Be one of the first to see the show when its run begins tonight at 6:00 p.m.
Street sat down with Nash Edgerton, director of The Square, to discuss spiders, stuntwork and freak accidents
Street: You do everything – acting, editing, directing, writing, stuntwork – is their a certain role you like most?
Nash Edgerton: No I don’t think – I kinda like doing a bit of everything.