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Arts & Entertainment

We’re So Moving On (yeah-ee yeah)

Five years ago, the music gods smiled on Kelly Clarkson and the American public’s desire for a more palatable Alanis found its apotheosis in an awesome little song about dumping your loser boyfriend.

by HEATHER SCHWEDEL

Campus Cred: Off the Beat

Street: Of all the OTB-wannabes on campus, why did you make the cut? Maggie Nyce: I have a nose ring.

by CHARLOTTE BORGEN

A History of Violence

The history of Watchmen, Alan Moore and Dave Gibbon’s 1986 graphic-novel-turned-movie, is a long and complicated one.

by DAVID GOTTLIEB

Mob Rules

Street: What in particular drew you to Saviano's book and made you want to turn it into a screenplay? Maurizio Braucci: Before becoming a screenwriter I was a novelist.

by PHIL MALACZEWSKI

Keeping An Eye On Watchmen

The Comedian: The Comedian is one of the only superheroes allowed to continue his work after the Keene Act, the government’s ban of masked crusaders, is passed.

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Defibrillator: El Topo (1970)

“If you are great, El Topo is a great film. If you are limited, El Topo is limited,” director Alejandro Jodorowsky said of his epic spaghetti-western, whose wide-scale distribution is owed largely to the efforts of John Lennon.

by LUCY MCGUIGAN

A Whole New Kind of Evil

In Gomorrah, director Matteo Garrone offers a refreshingly meditative take on the crime movie.

by PHIL MALACZEWSKI

La Primavera

Cherry blossoms are traditionally known for their brevity. They bloom during one season and make audiences wait another year for the pleasure of their company.

by JULIE STEINBERG

Los Angeles, We Have a Problem

In the tradition of major concept albums of years past, Squeak E. Clean and DJ Zegon of N.A.S.A. (that is, North America South America) have constructed The Spirit of Apollo, which focuses on the transcendent theme of unity through music.

by DYLAN SEROTA

Surf 'n' Turf

Tight Knit has more in common with grass, Vetiver’s namesake, than front-man Andy Cabic could have ever hoped.

by CHARLOTTE BORGEN

Guilty Pleasures: Taylor Swift, "Love Story" (2008)

If you think you’ve never heard Taylor Swift’s “Love Story,” or the album Fearless, you’re wrong.

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Top Ten Movies Snubbed by Oscar

Nominated, but robbed: 1. Citizen Kane (1941) Lost to: How Green Was My Valley 2.

by 34TH STREET

Point/Counterpoint: The Oscars

Hell, yeah! The Best Picture is awarded to the movie that has mastered all of the individual elements of film-making — musical score, direction, casting, script, acting and more — making them work together to produce a real piece of motion picture art.

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Guilty Pleasures: For Richer or Poorer (1997)

How would the Academy have received Witness minus Harrison Ford and all that murder mystery stuff?

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Street Leads The Vote

Not to knock the Oscars or anything, but it’s been 81 years — we think it’s about time the Academy got a little more innovative with its categories.

by JESSICA GOLDSTEIN

Campus Cred: DJ Newby

Street: What’s so new about DJ Newby? Matt Newberg: Everything is new about DJ Newby because I am hip-hop.

by LILY AVNET

Defibrillator: TLC, "Ooooooohhh... On the TLC Tip" (1992)

Six years our senior and fresh off the middle school bus, my best friend’s sister Ali was the unquestioned arbiter of cool.

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Bad Seed

Despite wandering into Explosions in the Sky’s territory, the epic (post-rock) fail that is Sagarmatha won’t land the A-Cast a spot on the Friday Night Lights soundtrack anytime soon.

by ADAM DRICI

Pop Punk Pity Party

Three years after the critically acclaimed The Ringleaders of the Tormenters, Morrissey returns with more wrist-cuttingly good times.

by RACHEL TASHJIAN

Taking Names

Looks like bank failure isn't the only thing to worry about in the financial world. In The International, one of the world's most successful banks gets its dough from the small arms trade, prompting Interpol agent Clive Owen, doing his normal shtick as the rugged, intense hero, and Manhattan ADA Naomi Watts, foregoing her natural Aussie accent, to go after the bad guys (do the filmmakers really expect us to think that forces from completely different jurisdictions would work so well together?). Thankfully, for the first time in recent movie history, our two leads do not hook up, but they do kick some serious ass.

by LAUREN KEMP

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