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Film & TV

The Problem of Postfeminism in Television

The empowerment of reclaiming antifeminist ideals is false, only leading to unhealthy behavioral expectations for teen girls.

by OLIVIA REYNOLDS

What Does ‘The Handmaid’s Tale’ Stand for in 2022?

The series' newest, uneven fifth season is proof that 'The Handmaid’s Tale' doesn’t know what it wants to say anymore. 

by CATHERINE SORRENTINO

Bravo’s Most Wanted: When the Worst Real Housewives Are the Best TV

With three housewives in a decade being involved with federal crimes, where is the line between good ethics and good television?

by EMMA HALPER

It's Time to Bring Mystique and Surprise Back into Film

Indie horrors like 'Barbarian' continue to shock, terrify, and surprise audiences at the box office. How can Hollywood learn from it?

by RAHUL VARIAR

‘Blonde’ Is Anything but an Authentic Representation of Marilyn Monroe

While the film succeeds in its stylistic choices, ‘Blonde’ is a poor and fictional recounting of Marilyn Monroe’s life. 

by WEIKE LI

‘Smile’ is a horror film that’ll make you frown

The film’s portrayal of stigmatized subjects, particularly towards mental illness, is offensive and off-putting.

by EMMA MARKS

‘Can I Touch You There?’: Inside Hollywood’s Intimacy Coordination Boom

A look into Hollywood’s mixed feelings about the industry’s new sex–scenes standards.

by EMMA HALPER

Dave Made the Most Absurd Horror Movie on Your Watchlist

Why the arts–and–crafts horror film 'Dave Made a Maze' is exactly what the genre needed.

by ALEXANDRA KANAN

Revisiting ‘Avatar’ 13 years after its initial release, does the modern classic still hold up?

Though James Cameron's era–defining epic lacks a cohesive plot at times, it's a spectacle that absolutely deserves its popularity. 

by ALEX BAXTER

"Saving Face" is the Queer Romcom Everybody Should Be Watching

This 2004 romantic comedy deserves a place in the queer canon despite never belonging to it.

by CATHERINE SORRENTINO

Was the Magic of the Winx Club Lost in the Reboot?

Revamping a children's show wasn't completely successful this time, but the entertainment industry should keep trying.

by OLIVIA REYNOLDS

Feast Your Eyes on Street's Favorite Food Scenes in Film

On the menu: Ratatouille, pastries, red sauce, and pastrami

by ARIELLE STANGER

‘Summer of Soul (…Or, When the Revolution Could Not Be Televised)’: The Year the Negro Died and Black Was Born

The documentary is a love letter to the changing streets of Harlem during the Black Power Movement of the ‘70s.

by MORGAN CRAWFORD

A Black "Little Mermaid" is Just What America Needs

Halle Bailey is making a splash as the new Ariel in Disney's live–action remake.

by RYANNE MILLS

For bitter 'Game of Thrones' fans, 'House of the Dragon' is a thrilling welcome back to Westeros

For those who are worried about another disappointment after 'Game of Thrones,' fear not. 

by WEIKE LI

In 'Don’t Worry Darling,' Miss Flo shines as Harry “I–Can’t–Act” Styles stumbles

'Don’t Worry Darling' looks gorgeous, but its acting and pacing drag the film significantly.

by JACOB POLLACK

The Return of the Sitcom: How 'Abbott Elementary' Is Reviving the Network Comedy

Meet ABC’s new hit comedy that's returning the sitcom to glory by sticking to its most successful form.

by EMMA HALPER

Why the DC Extended Universe Can't Be Saved

Batgirl and The Flash aren't the first comic book heroes the DCEU has failed.

by KAYLA COTTER

The Sandman: Like most dreams, forgettable

Neil Gaiman's 'The Sandman' is one of his most ambitious titles. Unfortunately, the Netflix series isn't ambitious enough. 

by KAYLA COTTER

Two’s a Party, Three’s a Crowd

When will the competitive love triangle trope end?

by EMMA MARKS

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