When a show loses its edge, there's no reason for its soundtrack to suffer as well. By consistently bringing relatively unknown yet talented artists into the spotlight, "The O.C." enriches the musical horizons of many a viewer.
I almost feel as if I'm channeling music when I improvise," says jazz saxophonist Ron Kerber. Performing at Chris's Jazz Cafe in Philadelphia on a warm November night, his eyes are shut, and at the climactic moments his countenance becomes mangled.
Street Music: How is your latest album Underneath different from you older stuff? What were you trying to achieve?
Isaac Hanson: I would say Underneath is probably the most mellow record we've done over the years.
During last year's Vans Warped Tour, a hand-held radio was stolen. After being threatened and even bribed by tour security, the culprit demanded only one thing in return for the over-expensive piece of equipment -- to meet Fall Out Boy.
In Toronto, if you're not in Broken Social Scene, you're aching to get in. A total of 17 members are credited for their latest release, an eponymous follow-up to 2003's critically acclaimed You Forgot It In People. While individual projects within the band such as Stars, Feist, and Metric have achieved success in the indie realm, the combined output amounts to a blissful musical orgasm that you could never expect, even from a group with that much talent.
What separates this Canadian collective from supergroups like the New Pornographers is a well developed willingness to experiment.
Music publications triumphantly announce when they've found "the next big thing" from the U.K. After the tenth time, it becomes hard to tell if they actually listen to some of these bands for any reason other than the fact that they're (gasp) British.
Seu Jorge ignited a samba fury during his sold-out show last Tuesday at the First Unitarian Church. Better known as the minstrel seaman with a penchant for acoustic Portuguese renditions of David Bowie classics in last year's The Life Aquatic, Jorge has emerged from humble beginnings in the slums of Rio de Janeiro to become a hot import in both the film and music worlds.
Jorge and his charismatic band commanded the packed audience of urban hipsters, ethno-musicologists, and Brazilian fanatics with their no-frills local samba stylings.