34th Street Magazine is part of a student-run nonprofit.

Please support us by disabling your ad blocker on our site.

Music

Review: Gutter Rainbows by Talib Kweli

Eminently Kwelified: Talib Kweli goes old school on latest.

by ELENA GOORAY

Video Review: Sleigh Bells' "Rill Rill"

Below is the very first Street Music Video review, in which we present a stream of consciousness reaction to a particularly intriguing music video.

by DANIEL FELSENTHAL

Playlist of the Week: 1.31



by 34TH STREET

Iron and Decline

Acoustic god goes electronic — to mediocre results.

by JARED MCDONALD

Interview: Cymbals Eat Guitars

Cymbals Eat Guitars, a rock band from Staten Island, will bless Penn with its presence tomorrow night.For those of you who couldn’t get enough of what they had to say in the magazine, here’s an extended version of the interview.

by DANIEL FELSENTHAL

Interview: Real Estate

Originally from New Jersey, Real Estate is a four-piece band whose sound might be deemed psychedelic.

by DANIEL FELSENTHAL

Defibrillator: "Un–break My Heart" by Toni Braxton

When Toni Braxton’s lover, Tyson, died in a studly motorcycle accident, she belted out “Un–break My Heart.” I rediscovered the hit when I sat in on a friend’s 90s–themed college radio show.

by ALEXA NICOLAS

Best of 2010: Bands You May Not Have Heard of

End–of–year lists in the music world gain credibility by doing one of two things: they either compile a bunch of albums that have already been validated with critical acclaim, or they include obscure bands just to score some indie cred.

by DANIEL FELSENTHAL

One Track Mind: Kanye West and Jay Z., “H.A.M.”

January 11 was a good day for music — Britney Spears dropped her new single “Hold it Against Me,” and Kanye West and Jay–Z released “H.A.M.” A few days after, 'Ye tweeted, “Yo Britney, I’m really happy for you and I’mma let you be #1, but me and Jay–Z single is one of the best songs of all time.” Sorry, Kanye: while we might have agreed with you on the whole Beyonce/Taylor Swift thing, we’re not as persuaded by your latest effort. “H.A.M.” is the first official single off the rap heavyweights’ joint EP, Watch the Throne, and stands for “hard as a mothafucka.” The track has all the bounce of Jay–Z’s best work, but Kanye’s verse is among his worst: his lazy flow sounds like a failed freestyle and features themes he’s covered better elsewhere.

by AGNES NAM

Review: The Decemberists, the King is Dead

The Decemberists show few signs of life on latest full–length

by DANIEL FELSENTHAL

Puntal/Contrapuntal: Big Bands Vs. Small Bands

Joke Issue: I LIKE BIG BANDS By Bubba "Hands" McNulty Hey fellas. Depression got you down?

by 34TH STREET

Venues 'N' Shit: Homeless Haven

Joke Issue: By Rack 'Em Rack Willie Oh freight train. I remember when you used to come 'round these parts.

by 34TH STREET

One Track Mind: Shirley Temple "Baby, Take A Bow"

Joke Issue: While we’re still years away from any comprehensive child labor legislation, one little girl is toiling away, and her hard work is paying off.

by 34TH STREET

Defibrillator: Arthur Fields "Hunting The Hun" (1917)

Joke Issue: Back during the Great War, while most of my pals back home were drinking and carousing, listening to that “jazz” music, I was stuck, cowering in a trench in France.

by 34TH STREET

Review: NIcky Minaj, Pink Friday

I was pretty much destined to have a complicated relationship with Nicki Minaj. On the one hand I just want her to succeed; one, because she is trying to revive the sadly lapsed tradition of fierce female rappers, and two — my more visceral reason — because she, like me, is a woman of Caribbean descent trying to do big things.

by 34TH STREET

Guilty Pleasures: Peter Frampton, “Frampton Comes Alive!”

I wasn’t always ashamed of Frampton Comes Alive! I disowned it only in my mid–adolescent hipster years, after the following words, encountered in a magazine, dealt my innocence a cruel blow: “Frampton Comes Alive! is a fixture of record store bargain bins.” I hadn’t known that five–minute talk–box solos, exclamation–pointed album titles and cover art showing Frampton doing his best impersonation of Christ were not cool.

by 34TH STREET

One Track Mind: “Doncamite,” Gorillaz

If you thought Gorillaz were satisfied with this year’s Plastic Beach, their epic, critically–acclaimed third album, you’d be wrong.

by 34TH STREET

Review: Girl Talk, All Day

All Day is, by its very nature, an extremely difficult album to review. There aren’t really “songs” to highlight, themes to pick up on, lyrics to quote.

by 34TH STREET

One Track Mind: “Together Baby,” Ghostface Killah

One of Wu Tang’s most active members in the current music scene, Ghostface Killah shows no sign of slowing down, following up last year’s misguidedly R&B–centered Ghostdini: The Wizard of Poetry in Emerald City with The Apollo Kids, set for release Dec.

by 34TH STREET

One Track Mind: “Car Crash,” Telekinesis

After a first listen, “Car Crash” seems like a major contradiction: the song’s airy, unmistakably happy hook draws us in while the morose opening lyrics question this upbeat nature.

by 34TH STREET

PennConnects

Most Read