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(03/22/23 4:00am)
“AI is the natural progression of evolution for humans. It is the next species.” My friend tapped his cigarette. We sat by the BioPond, looking up at the nerve–like branches of the trees—brains stemming into the sky. In the generation of OpenAI, with programs like ChatGPT or Dall–E, artificial intelligence is becoming more and more indistinguishable from our own DNA. As we question what this means for the human community, artists at the Museum of Modern Art (MoMA) have some answers.
(03/14/23 3:08pm)
“I was told by my professors that when you’re in school, it’s really good to take the time to experiment,” Cecily Nishimura (C '23) tells me in a crowded coffee shop. So that’s what she tries to do.
(02/22/23 5:00am)
The audience sits tight in Kelly Writers House, neatly tucked away from the bustle of Locust Walk, in an appropriate sanctuary given the guest speaker that will be coming in any second now: Ling Ma, the author of Severance and Bliss Montage, reputed for her astute and poignant criticism of modern society. Ma’s writing style effectively transmits the somberness of our modern condition through the coquettish use of satire that simply yearns to be read with ease, never sacrificing one for the other. Her impressive ability to interweave the dark and the light is not lost on contemporary readers, and she boasts handsome accolades including winner of the 2018 Kirkus Prize, a spot on New York Times Notable Books of 2018, and being shortlisted for the 2019 Hemingway Foundation.
(02/23/23 7:21pm)
As I turn the corner into the main exhibition hall at The Pennsylvania Academy of Fine Arts, I see a painting I’ve seen a million times before—the stately, perhaps boring, Washington at Princeton (1779) by Charles Willson Peale. George Washington rests his hand on a cannon, standing confidently after winning the titular battle. The flag of the thirteen colonies waves in the background—just above his enslaved valet, William Lee.
(02/26/23 7:08pm)
“Artemisia Gentileschi, was in almost every aspect of her life, a path breaker … [she] established herself as an equal of any male artist of her time” says History of Art professor Sheila Barker. “Because of her unorthodox and brazen path in life, [she] was always surrounded by controversy.”
(02/15/23 12:57am)
“Why should I paint dead fish, onions, and beer glasses? Girls are much prettier,” said Marie Laurencin, the painter who wasn't satisfied by how reality presented itself. Instead, she was mesmerized by dreamlike versions of life. Laurencin, despite creating a unique style of her own, is yet another female artist who’s been left out of the popular canon.
(02/09/23 7:10pm)
In the summer of 2016, construction workers stumbled upon a mystery while performing centennial renovations on the historic Thomas Evans building in Penn Dental Medicine. “My phone rang one day that summer, and Elizabeth Ketterlinus, Senior Associate Dean, announced that construction workers had located two boxes in the [Penn Dental Medicine] basement that might be of interest. An hour later, I was perusing their contents,” says Lynn Marsden–Atlass, director of the Arthur Ross Gallery, remembering the start of a nearly decades–long artistic mystery.
(02/06/23 1:48am)
The Traces by Mairead Small Staid is a philosophical exploration of happiness in which the author interweaves musings by figures like Aristotle, Cesare Pavese, and Alain de Botton with her own. She turns her self–reflection outward onto the reader, making this debut memoir both revealing and introspective. Small Staid discusses place, longing, and memory, journeying back through her life–altering time as a student abroad in Florence, Italy where she spent idyllic days studying “poems and paintings below oaken ceilings” and "[drinking] espresso in a sunlit courtyard.”
(02/01/23 5:00am)
I walk through the air–conditioned corridors of the São Paulo Museum of Art (MASP), appreciating oil paintings in golden frames and white marble statues. Suddenly, I am stuck by a bright yellow poster, “Do women have to be naked to get into the São Paulo Museum of Art?”
(01/23/23 1:00pm)
Despite having been painted more than 150 years ago, Édouard Manet’s Olympia continues to resonate throughout the art world. In 1865, the painting debuted in Paris’ prestigious Salon, controlled by the French Academy of Fine Arts, immediately scandalizing the scene. The work subversively approached the reclining female nude with its daring technical, stylistic, and thematic choices. While she was created by a man, Olympia has consequently joined the ranks of groundbreaking and influential women, both in the art world and beyond.
(01/30/23 2:00pm)
If you’ve ever found yourself involved in any sort of fanbase, you’ve probably stumbled upon fanfiction. Maybe you were unhappy with the last season of Game of Thrones, so you searched for an alternate ending. Perhaps you’ve scoured the Internet for a blossoming romance between Harry Potter and Draco Malfoy and devoutly followed their (non–canon) journey from enemies to lovers. While many may grow out of their Harry Potter or Game of Thrones obsessions, fanfiction remains a fundamental part of fan communities, or “fandoms,” of all kinds.
(01/20/23 5:00am)
Venturing through the Philadelphia Museum of Art (or any art museum really), you're guaranteed to see a hypersexualized, “ideal” version of the female anatomy: ample bosoms, round bottoms, and long flowing hair. Male physiques at the museum are seldom presented with the same objectification for voyeuristic purposes.
(11/30/22 5:00am)
Oneness: Nature & Connectivity in Chinese Art is bringing the Chinese artistic tradition and landscape to Benjamin Franklin Parkway. Containing works by four prominent contemporary Chinese artists, the show tackles the intersections between humanism and environmentalism. It creates a continuous dialogue through the timeline of Chinese art, placing works like a 16th–century hanging scroll and Emperor’s Dragon Robe (Mang Pao) (c. 1840) alongside modern sculpture and ink paintings. For those looking to journey across the globe and through history, look no further than this immersive exhibition at the Philadelphia Museum of Art.
(12/01/22 9:35pm)
In Amedeo Modigliani’s case, it was destiny. Painting was the only path for the winsome, sickly boy whose mother once wrote, “He behaves like a spoiled child, but he does not lack intelligence. We shall have to wait and see what is inside this chrysalis. Perhaps an artist?”
(11/15/22 11:32pm)
On Nov. 4, a Friday night like any other, a party swings into motion at the heart of Penn’s campus. A flurry of students clamber up Castle’s steps, dressed to the nines. From inside, a pulsing beat can be heard. The frat house is abuzz, but not for the usual reasons.
(12/02/22 6:59pm)
Over the past few months, you’ve likely noticed a visual change to the Philadelphia landscape. It takes the form of posters with blue and red backgrounds staring at you from across the street telling you to “STOP THE RACISTS.” Its crimson lettering paints the name of a Pennsylvania Senate candidate, or NO, depending on your perspective. The posters cover the student health line on the hall bulletin board, they're plastered over your door, and you don’t know how, you don’t know when, but somehow, they crept their way into bathroom stalls and demand you to vote… or else. It is the inescapable world of campaign art.
(11/08/22 11:32pm)
Two climate activists, wearing shirts displaying “Just Stop Oil,” splashed Heinz tomato soup on Van Gogh’s Sunflowers and glued their hands to the museum walls on Oct. 14. After splashing the soup onto the painting, the protestor asks the onlookers, “Are you more concerned about the protection of a painting, or the protection of our planet and people?”
(11/01/22 1:00pm)
If you're a fan of Matisse, Philadelphia is the place to be this fall.
(11/10/22 7:07pm)
Between Van Pelt’s endless stacks and tables full of stressed–out students exists the Kislak Center for Special Collections, Rare Books and Manuscripts. The Kislak Center is now exhibiting photographs by Arthur Tress in dialogue with Japanese illustrated books from his personal collection. The special exhibition, which opened on Sept. 29, will remain on view through the end of the semester on Dec. 16. Visitors can find the show, curated in collaboration with faculty and graduate students, within the Goldstein Family Gallery.
(10/13/22 4:00am)
Rays of light seep through the branches of the aged and leafy trees, shrouding the vendors of Clark Park Farmers’ Market and their patrons. The historic space’s paved paths connect Philly residents through produce, pottery, accessories, and art. Through rows of color and chatter, encyclopedic botanical prints catch the eye.
