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Film & TV

Rom–Com Legend Nancy Meyers Is Back to Save the Genre

Enough of the trashy, dime–a–dozen rom–coms. Here's what to expect in Nancy Meyers' upcoming collaboration with Netflix.

by JACOB A. POLLACK

The Movies Are Opera’s Newest Frontier

One of the world’s oldest art forms has begun taking inspiration from one of its most modern.

by JULIA POLSTER

A Multifaceted Multiverse: Daniels' 'Everything Everywhere All at Once'

Led by Michelle Yeoh’s incredible performance, 'Everything Everywhere All at Once' is a bittersweet family drama that also happens to be a multiverse movie.

by JACOB A. POLLACK

Julia Child: A Towering, Persisting Image

Both Child’s place in society and legacy in the American zeitgeist continue to transgress the norm for women.

by JULIA POLSTER

Does Disney+'s Acquisition of "Dancing with the Stars" Foreshadow the Death of Broadcast TV?

ABC's ratings problem is about to get a lot worse.

by KAYLA COTTER

Has 'Star Trek' Lost Its Character?

The bland ensemble and poor storytelling of Star Trek: Discovery has left fans feeling frustrated.

by JULIA POLSTER

'Bridgerton' Season 2 Drags the Period Piece Out of the Past

The show once known for its sexploits now provides a novel approach to South Asian representation in media.

by SHAHANA BANERJEE

The ‘American Song Contest’ Attempts to Bring ‘Eurovision’ to the US of A

The new television show is an adaptation of one of Europe’s most popular musical traditions.

by JULIA POLSTER

In Memory of Philadelphia's Forgotten Movie Theaters

Movie theaters have never been exempt from the changing entertainment industry. 

by KAYLA COTTER

Google Chrome Extension SignUp Fights to Make Movies Deaf–Accessible

As Deaf representation in film grows, we must ensure these movies are within reach. 

by KAYLA COTTER

Online Dating Somehow Could Get Worse

Hulu’s 'Fresh' is a biting critique on the dangers of dating culture.

by SHAHANA BANERJEE

What You Missed at the Oscars, Minus the Slap

The ceremony featured moving speeches and a Best Picture win that represented streaming services' expansive takeover in Hollywood. 

by JACOB A. POLLACK

Jon M. Chu: “I wanted to paint what it feels like to be a dreamer.”

34th Street speaks with Jon M. Chu, director of 'In the Heights' and 'Crazy Rich Asians,' about his college days and being a leader for representation in Hollywood.

by JACOB A. POLLACK

Falling from Startup Stardom

The death of Theranos and the docuseries genre

by NATALIA CASTILLO

A World–Class Creative Team Can't Save 'The Batman' from Subpar Writing

The only thing that isn't perfect about the superhero's latest reboot is its writing. 

by KAYLA COTTER

The New ‘West Side Story' is One Small Step for a Movie, One Giant Leap for Moviekind

Spielberg's adaptation of the classic musical is a flawed film with an exciting legacy.

by JULIA POLSTER

'Love Is Blind' Perpetuates the Need to get Married

What are you willing to overlook in order to say "I do"?

by EMMA MARKS

Euphoria’s Glitz and Glamor Can't Hide its Flawed Storyline

In a writer’s room of one, Sam Levinson’s Euphoria season two triumphs in its creative and visual decisions, but leaves behind fragmented and unresolved storylines. 

by JACOB A. POLLACK

Bent Button Vice President Kota Yamamoto Talks Turning His Hobbies into Tangible Results

How this Wharton sophomore is developing his creativity at Penn's premier filmmaking club

by KAYLA COTTER

In Which I Get Verklempt Over ‘The Marvelous Mrs. Maisel’

By a woman who likes her television like she likes her men: Jewish, funny, and touching her in places she didn’t even know existed.

by JULIA POLSTER

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