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Film & TV

'Gemini Man' is A Rare Misstep For Ang Lee

Not even Will Smith can make this movie good.

by ANNA COLLINS

'In the Tall Grass': Another Messy Netflix Original

Watch another Stephen King tale brought to life, from the comfort of your own home.

by SHANNON ZHANG

'The Politician' Is Compulsively Watchable and Emotionally Flat

The Ben Platt–helmed Netflix show brings you in to the high–stakes world of high school politics.

by ANNABELLE WILLIAMS

'Joker' Collapses Under Its Own Weight

Lacking subtlety or a clear message, the controversial movie falls flat.

by ANNA COLLINS

The Evolution of Robert Pattinson

Why he's more than just that vampire from 'Twilight.'

by ANNA COLLINS

'Love Island': Reality TV for the Now

What makes this breakout UK reality show an international phenomenon?

by SAMANTHA SANDERS

Is 'Tall Girl' Really that Bad?

Spoiler alert: the answer is yes.

by HANNAH YUSUF

'Downton Abbey' Says Farewell, Just When You So Badly Want It To Stay

The nostalgic final episode we all wanted, but on the big screen. 

by JONAH CHARLTON

‘In the Shadow of the Moon’ is Crime, Mystery, and Sci–Fi All At Once

The first of Netflix’s "Netflix and Chills" thriller originals is flawed, but entertaining nonetheless. 

by SHANNON ZHANG

'Judy': Too Sentimental, But It Still Sticks the Landing

Judy Garland, brought to the screen once more by a masterful Renée Zellweger. 

by ANNA COLLINS

Visit These Locations of Famous Movie Moments in Philly

Some of cinema's most iconic scenes were shot within walking distance of Penn's campus—here are some spots to check out.

by HANNAH LONSER

A Post–Emmys Recap: Nothing New

Even if some aspects of the Emmys were surprising, the show was still, ultimately, predictable.

by ANNA COLLINS

Give 'Fleabag' the Emmys it Deserves

'Fleabag' brings a refreshing take to a stale character archetype. 

by ANNA COLLINS

'The Goldfinch': Is It Really That Bad?

'The Goldfinch' made headlines for being a disaster, but it's still a serviceable adaptation of a complicated book.

by ANNA COLLINS

Hollywood's LGBTQ Problem: Poor Representation and One–Dimensional Portrayals

How Hollywood exploits the LGBT community, and how it should change. 

by ANNA COLLINS

What's Wrong With Hollywood?: The Aftermath of 'Avengers: Endgame'

Production studios are desperately trying—and failing—to recreate the success of the highest grossing movie of all time.

by SAMANTHA SANDERS

'Falling Inn Love' is a Waste of 98 Minutes

Poorly used clichés and regressive gender roles make this romantic comedy entirely unwatchable. 

by ANA HALLMAN

The Timothée Chalamet Phenomenon

Why is the world so obsessed with this young actor, and is that a good thing?

by ANNA COLLINS

Cashing In On Spider–Man: A Battle Between Marvel and Sony

The fate of Spidey within Marvel's Cinematic Universe is uncertain. How have we gotten here?

by ANNA COLLINS

'Once Upon a Time... in Hollywood' and Tarantino's Violence Against Women

Tarantino's latest film not only treats women poorly, it delights in violence against them.

by ANNA COLLINS

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