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Philly isn’t a city known for its avant–garde fashion scene, but for one night, it didn’t matter. Autumn Lin, a designer whose work has graced the pages of Vogue and the runways of New York, brought something this city rarely gets to witness: fashion as myth, fashion as movement, fashion as a dream in motion. The show wasn’t about trends or commerce—it was about transformation.
Maybe it’s Hinge. Maybe it’s Tinder. Maybe it’s your one–night–stand–turned–ex–situationship whose eye contact you avoid like the plague on your way to class. No matter where you place the blame, the fact remains that the 21st century is flipping the script on romance movies. Gone are the times when wholesome films like 10 Things I Hate About You and My Best Friend’s Wedding ruled the screen—modern audiences seem to have a taste for something a little bit darker these days. A taste, even, for blood.
The Critics Choice Awards are where Hollywood loves to remind the general public that good taste is often subjective and extinct. Sheer fashion is back—and it’s not just tired nudes anymore! Designers are leaning into playful textures and avant–garde layering, giving us sheer moments that feel fresh rather than desperate. Menswear is finally clawing its way out of the navy and black abyss. Brioni and Dolce are leading the charge with tailoring so sharp it could slice through an ego, and I swear I caught a whisper of Tom Ford–era Gucci energy in the mix.
While most sports fans fixate on the action on the field, I’ve always been one to keep an eye on the sideline, where fashion meets sport in perfectly curated, effortlessly chic outfits. Whether it’s Victoria Beckham redefining posh elegance in the stands or Alexandra Saint Mleux making waves with her effortlessly cool looks, these women are an undeniable part of the spectacle.
On Feb. 20, I walked into Union Transfer with a ticket, a dream, and no idea what I was getting myself into. I was there to see Alcest, the first French band I’ve listened to and one of the few non–English groups I've ever explored. Though I went into the night blind, the experience was nothing less than breathtaking—Alcest performed every track beautifully, bringing their stories to life on stage. As the show continued, a question of great importance arose in my mind: Why don’t other people go into shows blind?
Whether you’ve wanted to or not, you’ve heard AI–generated music. It’s everywhere these days, especially in rap music, with artists like Kanye and Metro Boomin openly embracing the technology. On TikTok especially, AI vocal covers seem to have found a home, time and time again. But there are also crystal–clear ethical criticisms to be made: It’s a loss of “humanity,” it lacks proper credit, and it’s a lazy cash grab. And while these may seem obvious, there are still cases of AI usage that manage to circumvent them all. Clearly, there’s a wide and layered landscape here, and it’s worth understanding.
A few months ago, my dad and I watched an old recording of The Beatles playing “Revolution” live. The performance was dynamic, impassioned, and electric; they went ballistic.
In the millisecond following the announcement of Sabrina Carpenter's deluxe album, pure excitement overcame any sort of logical thinking, with fans asking, "What exactly is a deluxe album, exactly, and why was I forced to wait two months for it?" With nearly every top album entailing a deluxe companion, reactions are well rehearsed.
Washington is known for power suits, not power silhouettes. It’s a city where the most daring fashion choice is not wearing Allbirds to brunch. It is a town of navy blazers, sensible flats, and men who dress like their mothers still buy their Barbour jackets.
I fucking called it once again, I have to say.
Did you have a magazine when you were younger that captivated all your attention and shaped your ultimate aspirations? If so, you have something in common with Dr. Joseph Turow, who loves reading Ad Age just as much as when he got his first copy at the Brooklyn Library. Ad Age left its mark on Turrow's life; he has spent over 50 years researching advertising, media, and their influence on society. This year marks the advertising expert's final year after a long stretch at Penn—Turow completed his bachelor's, master's, and Ph.D. on this campus. Currently, he is a professor of Media Systems & Industries and is planning to retire this year.
Intro: Aditya (Adi) Gowd (E ‘25) is a blend of innovation, creativity, and mentorship. Whether he’s helping students as head teaching assistant for CIS 1100, fostering community as a residential advisor at Hill College House, or producing music with friends, he approaches every task with passion and enthusiasm. His interests range from engineering to music to mentorship, always finding ways to help and support those around him. With dedication and excitement, Adi leaves a lasting impact, making the Penn community a little better one step at a time.
For Eileen Wang (W ‘25), every activity is an opportunity for expression. Whether it’s the sharp crack of a tennis ball against her racket or the rhythmic chopping of fresh ingredients on a cutting board, Eileen has found a way to bring passion, joy, and dedication to every table in her life. As part of Women’s Varsity Tennis, she thrives on the intensity of the game, unlocking a piece of herself she only accesses when she plays. But tennis has always been more than a sport—it’s in her DNA. Born and raised in a tennis family, Eileen brings her work ethic from home onto the court and from the court into the rest of her life.
Welcome to this week’s Street Sweeper! I’m your host, Fiona Herzog.
Going to college in Philly, we’re so often bombarded—both on social media and in real life—with seemingly endless options for how to spend our free time. So, I’m delighted to announce that Street has done the hard part for you: We’ve rounded up what we think are the can’t–miss events for the month in one convenient place. If I’ve done my job right, there’ll be something in here for every one of our readers, no matter what you like to do with your free time.
Single’s Inferno, South Korea’s most recent and most popular reality dating show, finished its fourth season in February. Riffing off the genre’s more typical competition tropes—lots of abs, drama, and love triangles—the show frames the contestants’ search for love as a means of escape from the “Inferno,” a deserted island and a “singles’ hell.” Find a contestant you click with, choose each other, and you’re allowed to escape for the evening to “Paradise,” hotel suites complete with everything that’s supposed to help you fall in love: deluxe beds, room–service dinner, and an outdoor pool. You get the idea.
Best performance, or best narrative?
Thirteen cold–pressed juices a day, every hour, on the hour. Five coffee enemas. Everything green, everything clean. No need for chemotherapy, surgery, or long, terrified stays in hospital rooms. If you’re just diligent enough, your cancer will go away.
We pick up this week where we last left off, with Mark Scout and Reghabi in Mark’s garage directly after a reintegration flash. Mark is telling Reghabi about what he saw, and she tells him that she doesn’t know what exactly is going on, but clearly Gemma is “essential” to Lumon, and perhaps Mark should consider letting her speed up the reintegration process.
Pastel organza in pink, green, and cream drapes elegantly, encasing satin roses within airy bags and oversized scrunchies. Sunlight filters through the sheer fabric, casting soft, diffused glows that dance across the space. Room Shop’s accessories—ruffled chokers and garters, multicolored scrunchies adorned with whimsical charms like shrimp, stars, and crystals—are displayed against the industrial backdrop of a refurbished school. Concrete walls and oversized windows provide a striking contrast to the dreamy atmosphere, where golden light reflects off the satin textures, illuminating vintage home decor: funky figurines, ceramic vases, and personal treasures. Each piece speaks to an ethos of creating a world tailored to you and your personality by refashioning existing materials.
Solutions by The State News
