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(06/25/22 4:00am)
The human experience exists in color and motion. Visuals and emotions often capture events better than words, no matter how complex or provocative the event may be. When we see stories adapted on screen, we’re bound to gravitate towards lingering camera work, color contrasts that match the mood, and graphics that force us to look and listen. So it makes sense when Love Death + Robots describes itself as mind–bending. Its use of animation generates unseen adventure, both familiar and unfamiliar, and bends the rules for how humans see themselves in fiction.
(06/04/22 3:00pm)
If you frequented YouTube in the 2010s, you probably came across Marcel the Shell With Shoes On, a three–part series of under–one–minute stop motion mockumentary–style videos following a one–inch–tall shell and his tiny life within the corners of a house and the comparatively large objects within it. The brainchild of filmmaker Dean Fleischer–Camp and comedian–actress Jenny Slate (at the time a couple, since separated), the Marcel the Shell with Shoes On shorts have now been expanded into a feature–length film produced by A24 and set for a summer release.
(06/03/22 1:58am)
Lisa McGee’s hit dark comedy Derry Girls wrapped up season three on May 18. While the announcement of a season three left me eager to see my favorite characters again, I was also confused, since the end of season two felt like the perfect end to both the season and the series.
(06/01/22 11:00am)
Nov. 6, 2021. Saturday Night Live’s (SNL) Cecily Strong takes the “Weekend Update” stage dressed in a costume reminiscent of Loonette from The Big Comfy Couch: an eccentrically patterned button down and vest, a bowtie, and two voluminous ponytails teased out of a little fuchsia hat.
(05/31/22 11:13pm)
As an avid Marvel movie fan since my preteen years and a loyal follower of the Disney+ shows, I’ve been ecstatic for the release of the newest Dr. Strange movie, Dr. Strange: Multiverse of Madness. Going in, I’d been intentional about avoiding spoilers or any news whatsoever. I didn’t want to know what was going to happen. I didn’t even want to know who the villain was. I had hoped that the movie would be good, seeing the upwards trajectory that the past few Marvel shows and movies had been taking, such as Loki, Moon Knight, and Shang–Chi and the Legend of the Ten Rings.
(05/24/22 1:00pm)
When you type in “Heartstopper” on Google, a few pastel leaves will flutter across your screen, serving as a reminder of how author Alice Oseman’s illustrations went from a black and white webcomic series to one of Netflix’s most—watched shows of the year. After receiving a 100% average Tomatometer score on Rotten Tomatoes and sitting on Twitter’s trending chart for more than three consecutive weeks, the show was recently renewed for two more seasons due to its tremendous success.
(04/25/22 11:44pm)
For the past few weeks, one multiverse movie, where the fate of all universes is actually at stake, has been receiving more hype and acclaim than anything else out there. Led by an internationally recognized star, it’s flashy, making big bucks, and includes a fair amount of CGI. I’m talking, of course, about Everything Everywhere All at Once, although I did hear about some small, obscure Marvel multiverse film coming out soon, too.
(04/20/22 6:30pm)
“Bon Appetit!” Have those words ever been uttered more lovingly, tenderly, or warmly than by Julia Child as she signed off on an episode of The French Chef? It’s hard to say. Perhaps in France—by a maman to her bébé as she ladled some delicious concoction into a shallow bowl, or by a gourmet chef as he placed the finishing touches on the meal that would earn his Paris restaurant its third Michelin star. But in America? Not one other person can take so much credit for popularizing French cuisine and making it accessible to all as Child, who returned from France with the seminal 1961 cookbook Mastering the Art of French Cooking.
(05/09/22 11:00pm)
Beautiful homes. Epic Hans Zimmer scores. White women in all–white outfits. Lots of white wine. Divorce. Diane Keaton.
(04/20/22 6:29pm)
After 30 seasons, ABC announced last week that it had dropped network darling Dancing with the Stars following a steep decline in ratings in the coveted 18–34 demographic. However, loyal fans have nothing to fret over. Disney+ announced that it had acquired the ABC staple in what may initially seem like a surprising investment for the kid–oriented streaming service. Shock aside, its implications are vast for the platform, which has seen its subscriber growth stagnate due to a lack of adult programs.
(04/11/22 3:00pm)
With the COVID–19 pandemic exacerbating difficulties faced by the movie theater industry, conversations about the death of the movie theater experience have come to the forefront. But for many, movie theaters as they knew them died a long time ago.
(04/11/22 11:52pm)
Hamster wheels. Yodeling. A gaggle of grandmothers. You never quite know what to expect in the Eurovision Song Contest, Europe’s annual competition in which roughly 40 countries send an artist to represent their nation with an original song. The contest, which started after World War II as an attempt to heal the continent with just seven countries, has grown into an annual celebration of music, fun, kitsch, and glamor. It’s launched the careers of ABBA, Celine Dion, and Måneskin. It’s created viral moments. It’s even been lovingly satirized by Will Ferrell.
(04/12/22 4:28pm)
After years of yielding to the stereotypical roles of Ravi from Jessie and Baljeet from Phineas and Ferb, the unstoppable Hollywood force who is Shonda Rhimes has provided South Asians—specifically South Asian women—with a breath of fresh air. Her casting choices for Netflix's Bridgerton Season 2 in selecting two dark skin Tamilian actresses for the show’s leads, paired with the subtlety of cultural hints throughout the show, is exactly what this community has been longing for. Simone Ashley’s Kate Sharma and Charithra Chandran’s Edwina Sharma are the Parvati and Padma Patil redemption that was so desperately needed after decades.
(04/11/22 7:00pm)
The separation of screen and viewer—a separation rooted in unfamiliarity toward characters I’ve seen on screen for as long as I can remember, of plots and writing styles that are intended for a “general audience” that I don’t belong to. To be a part of the screen, to reach out and mix what’s being shown to you with your own experience, is often a rarity for those beyond the Eurocentric norm. The world of television and cinema is a universe I compartmentalized as wholly different from my own reality, and when comparisons were struck between the two, it became harder to find emotional value in either.
(05/03/22 7:00pm)
Renée Fleming. Joyce DiDonato. Kelli O’Hara.
(04/06/22 3:00pm)
When I first speak with Mariella Satow, I have to bite my tongue to keep from interrupting her with stories about my 7–year–old sister, whom I will inevitably boast about before we sign off. In the background, the 2022 Oscars gear up: A few hours from now, Troy Kotsur will become the first deaf man to win an acting Oscar, and CODA will win Best Picture in a ceremony overshadowed by controversy.
(04/05/22 1:00pm)
The Academy Awards, aka the Oscars, is an annual awards ceremony that honors the greatest achievements in cinema from the past year, voted by just under 10,000 Academy members. Or at least it’s supposed to be about that. We all know that the 2022 Oscars will be remembered for many other reasons.
(04/06/22 4:00am)
Dating online has a bad reputation already—the horror stories are endless and only seem to get worse with time. Television and media have illustrated distinctly the potential dangers of meeting a stranger online and getting a meal or a cup of coffee together. Hulu’s newly buzzed–about movie Fresh shows exactly that, in the initial scenes where Daisy Edgar–Jones’ Noa sits down for yet another failed date with yet another misogynistic douchebag. Maybe this feels familiar to you, maybe not, but this scene encapsulates the awkwardness and frankly, contemporary patheticness that revolves around first dates that are definitely not going anywhere.
(03/22/22 2:24pm)
An hour before Penn’s Crazy Determined Asians: Jon M. Chu and the Power of Representation event began, the emerald–tiled Harrison Auditorium was silent with its green velvet seats entirely empty. Then suddenly, as if the great and powerful Oz himself had appeared, murmurs and conversations immediately rose with the arrival of a certain individual. At that moment, Jon M. Chu entered the room and began to admire the space’s grandeur and beauty.
(03/21/22 4:00pm)
Matt Reeves’ The Batman is almost perfect. Visually, it’s stunning. Performance–wise, it hits the nail on the head. Its soundtrack is immaculate and its action scenes are genuinely entertaining to watch. In fact, it falters where you least expect: the storyline. With a runtime of nearly three hours, the film is an over–glorified snoozefest, and it’s a real tragedy considering how much promise it shows.
