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Writing about HBO’s new show The Idol is a trap. It wants desperately to be written about, packed to the brim with references to modern cultural debates and full of gratuitous sex and nudity. But for a show trying to satirize our modern landscape, The Idol is curiously stuck in the past.
Entering a dark room with a beige couch and small coffee table, I faced a large television with blue dots and specks of yellow moving across the top of the screen over a chorus of buzzes. I feel as though I’m standing in a living room, with a portrait of an older woman in one corner. On my left, the name and description of the exhibition: Terence Nance: Swarm. As I move through the exhibition, I see a variety of films highlighting a recurring theme of Black identity and I am surrounded by the production of art through sound and video.
I vividly remember my ninth birthday and the excitement that rushed over me as I opened up my present: an MP3 Player. That same day, with the help of my parents, I eagerly downloaded "Fearless", "All Too Well", and "Red."
*This article contains spoilers for Season 4 of Succession*
“Dearest Gentle Reader, this is the story of Queen Charlotte from Bridgerton. It is not a history lesson. It is fiction inspired by fact. All liberties taken by the author are quite intentional. Enjoy.”
From North and South Korean star–crossed lovers to blind dating CEOs, K–Dramas have covered every single possible love/drama/murder/mystery scenario one could ever think up. They demand addictive engagement— an hour of entertainment packed within each episode. They contain multiple storylines, introducing a variety of couples and family nuances while retaining the trademark Korean humor—that careful balance between dry comebacks and over–the–top reactions. They invoke second lead syndrome (warning: don’t watch Reply 1988 unless you want a severe case of this), where the main character doesn’t end up with the person you were rooting for. In other words, they’re incredibly entertaining.
Fifty years ago, people had to remember the different local seven–digit phone numbers to reach their police, fire, or medical services. Accidental (and preventable) deaths and injuries had become an epidemic. Enter 911, the standardized national number for emergency services. Fast forward fifty years, and 988 hopes to be the 911 of mental health emergencies: the number to call for the suicide hotline as well as during behavioral crises which don’t require police intervention.
Wherever we see it—from our favorite movies, TV shows, or news stories—Western media flaunts and glamorizes the “American Dream.” The story of rags to riches. The story of accumulating wealth through honest hard work. The story of owning your own house, driving a nice car, living in the suburbs, raising a couple of kids, and reaching a day when your descendants may also carry on this same lifestyle and legacy. This is also the story that tells communities of color to be grateful for the superficial representation that simplifies our stories into expendable, disposable moments for profit and exploitation. The elusive "American Dream" is the ultimate goal of many immigrants, coming to this country in hopes of a better life. Yet this ideology employs the Model Minority Myth to weaponize Asian Americans and other communities of color into uplifting systems of oppression and white supremacy.
Philadelphia’s housing market today is completely different from what it used to be decades ago. Today, neighborhoods that were considered undesirable 50 years ago by real estate investors see increased market values. Accordingly, developers try to take advantage of these rising prices and acquire property to build market rate housing complexes at a handsome profit. These developments normally do not keep with the architecture of the existing buildings and are above the average price of housing in the community: Think the boxy, colorful paneled row homes that are popping up all over Philadelphia. Often, new developments are inaccessible to low–and middle–income buyers and eventually result in raised property taxes that price out current residents. The potential housing development at 4601 Market Street is currently grappling with this narrative, with developers attempting to build market rate housing units. However, community members are fighting back, urging the developers to include affordable housing in the housing complex.
The Black Panthers wore leather jackets, second–wave feminists wore miniskirts, and anti–Vietnam war protestors wore bell bottoms. Throughout history, fashion has been used by various social movements as forms of self–expression, resistance, and solidarity.
As tulips poke up along the banks of Boathouse Row, song birds return to telephone lines, and Penn students set up aesthetically pleasing picnics along the Schuylkill River, one thing is certain—it’s spring in West Philadelphia. What’s less obvious is that a burgeoning network of trails criss–crossing the city supports these bucolic celebrations of spring. These trails are critical for urban recreation and the health of wildlife, and they rely on public support to accomplish their goals.
It’s not an uncommon thought to dream of being famous. Strangers knowing your name, having an infinite amount of money to spend, taking luxurious vacations, and doing what you love for a living—all of these prospects seem quite enticing.
Melanie Martinez has made waves in the music industry through the exploration of her alter ego Crybaby. Her debut album of the same name followed the twisted world of Crybaby as she dealt with kidnapping, murder, and aching loneliness. Martinez’s follow–up album K–12 navigates Crybaby’s school years with a full–length film being released alongside it. Martinez is dedicated to the craft of concept albums and telling a singular narrative across the entire tracklist. But her latest iteration of the character may just be her most ambitious project yet.
From wordless EDM you can’t sing along to, to 2010s pop songs that everyone and their mom knows the lyrics to, frat music certainly spans a wide range of genres. For me, music is the component that makes or breaks a night out: if I can’t enjoy whatever tune is pouring out of the speakers—at a volume definitely not safe for human ears—then I’m quick to suggest that we head to a different frat. Read on to see my expert opinion, based on my extensive time halfheartedly pumping my fist in sweaty frat basements, on how all the genres stack up.
What started as a sophisticated night at the ballet quickly descended into a near–riot: the audience throwing objects at the stage, shouting over the orchestra, and even breaking out into fights. This infamous night was the first premiere of Igor Stravinsky’s The Rite of Spring, which is now remembered as one of the most controversial performances in music history. To the audience’s horror, Stravinsky had broken all the rules of what was considered good composition, but now this piece is ubiquitous in concert music—being performed this year by the New York Philharmonic and The Philadelphia Orchestra.
Senator Josh Hawley (R–Mo.) pushed to fast–track a TikTok ban in March, which was then blocked by Senator Rand Paul (R–Ky.) on Thursday, March 30. Supporters of the ban believe that TikTok, owned by Chinese company ByteDance, is being used by the Chinese government to spy on Americans by gaining access to their devices' data. Opponents claim that banning TikTok would be akin to violation of free speech, and that the amount of data being taken by TikTok is no more than any other app.
Revenge songs are not new in the music industry, and neither is Shakira. Music Session #53, Shakira’s newest collaboration with BZRP, exists in the intersection between revenge songs and Shakira’s essence—and it is a song birthed from her long–term partner Pique's alleged infidelity.
Black curtains do more than just shield the public from art. They represent a divide between the morality of censorship for tastelessly sexual or religious minority pieces, and those who feel that policing of media should be curbed at all costs.
No one likes thinking about STIs.
If you’ve ever tried weaning off of social media, you know it’s much easier said than done. From connecting us with friends and the latest trends, to becoming an on–demand news source, social media has begun to consume more of our lives than we know. Because of this, a social media habit—that is, the routine, semi–automatic use of different platforms—can quickly form within users. For all their strength, though, they tend to go unnoticed. It's only when attempts are made to distance ourselves from these platforms that we realize the hook their algorithms have already had on us.
Solutions by The State News