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(01/26/20 8:55pm)
In recent years, streaming services and web series have revolutionized the stories Indian content creators are able to tell. They have become not only one of the most popular forms of media amongst Indian youth, but also have finally paved the way for Western audiences to enjoy groundbreaking Indian content. Most Bollywood films, though as varied in genre and narrative as Hollywood films, are still musicals, and the overall view of the genre, as well as the Western world’s reluctance to enjoy foreign cinema, has prevented non–Indian audiences from enjoying Indian content.
(01/22/20 12:06am)
I read Little Women for the first time in sixth grade, climbing to the top of my bunk bed every night armed with the four–inch–thick novel in one hand and a book light in the other. The story of a Civil War–era family of four daughters was one I soon grew infatuated with. So when its latest film adaptation by Greta Gerwig came out, I ran to see it.
(01/21/20 11:32pm)
Schitt’s Creek is one of those rare family sitcoms that revels in sincerity and genuine kindness. Unlike other well–known, feel–good sitcoms on television today, such as The Good Place or Brooklyn Nine-Nine, it chooses not to focus on existential philosophy or action–filled police casework. All it has are its characters, the Roses, and their small–town problems and skirmishes.
(01/20/20 1:32am)
Whether willfully or not, the Oscars are considered an important cultural event and a hallmark of success for actors, directors, and technical crews. Everyone’s gaudy outfits get articles devoted to them, coverage of the newscast fills social media, and these awards are considered to be granted to the best of the best in Hollywood.
(12/11/19 8:52pm)
This decade's output of television—the good, the bad, and the ugly—was staggering. At times, it was hard to keep up. But we tried our best. To qualify, a show had to air not entirely but mostly in this decade, and to have made a cultural impact on the 2010s. Below is Street's list of our favorite television shows from this decade, listed in the order in which they aired.
(12/11/19 8:52pm)
This decade in cinema has been a wild ride. We saw the rise of the comic book movie, the return of some of the biggest franchises of all time (from Star Wars to Jurassic Park), and an explosion of indie studios—from the social media savvy A24 to the microbudget horror juggernaut Blumhouse. For this list, Street sorted through it all to give our top 15 movies of the decade—listed in the order in which they came out.
(11/29/19 7:18pm)
Towards the beginning of Knives Out, a detective (Lakeith Stanfield) remarks that Harlan Thrombey (Christopher Plummer), a successful crime novelist and the patriarch of the Thrombey family, “practically lived inside a Clue Board.” The detective is referring to Harlan’s sprawling, mahogany–filled mansion that serves as the film’s primary setting. In some ways, though, the whole movie feels like Clue.
(11/27/19 3:06am)
Ford v. Ferrari is not just a racing movie. Yes, it has to do with racing—the first act is primarily about assembling a race car, its two main characters are well–known figures within the racing world, and the majority of the runtime is spent either on the track or in the workshop. But you don't have to know precisely what an RPM is, how races work, or what even goes into the construction of a race car to understand the movie.
(11/21/19 8:42am)
If The Walt Disney Company had not already solidified itself as one of the most influential and culturally relevant media companies of all time, the buzz surrounding its streaming service, Disney+, has made us sure. Just a day after its release, they boasted over 10 million subscribers, and that number is only growing. The response to this new service, and the hundreds of movies and TV shows it contains, has been widespread and positive at every turn.
(12/02/19 1:43am)
Fall means lots of things—sweaters, yellow leaves, and early sunsets. For Street, it also means the ideal season for procrastination: in this brief period before finals, it's nice to distract ourselves by searching for a new show to binge. Check out what's on F&TV's watchlist this month—covering ever genre from horror to comedy.
(12/02/19 1:10am)
After the chaos that followed the appearance of Tupac's hologram at a 2012 Coachella performance, it should come as no surprise that the public has strong feelings about "resurrecting" deceased artists. Tupac’s image cost at least $100,000 and was mostly made up of archive footage artfully edited together, and since then the question of giving other deceased people the same computer–generated treatment has been buzzing in the back of people’s minds. This moment with Tupac’s hologram and Snoop Dogg interacting on–stage marked a terrifying advancement of technology: We can’t ensure that the dead actually stay dead.
(11/16/19 8:23am)
When Focus Features announced that Cynthia Erivo would star in the titular role of their upcoming biopic on Harriet Tubman Harriet, the casting was met with immediate backlash.
(11/11/19 10:43pm)
Perhaps following up Stanley Kubrick’s The Shining is an impossible task. Kubrick’s 1980 classic is considered one of his best films, if not his magnum opus, and has spawned great discussion since its release. Such detail–focused examination is showcased most famously in the documentary Room 237. The Shining is not just an important aspect of film canon—it is an icon, a constantly referenced piece of work, and a culmination of an amazing director’s talents in one of the best horror movies of all time.
(11/13/19 3:53am)
The Gershman Philadelphia Jewish Film Festival, the second oldest Jewish film fest in the country, kicked off on Nov. 9. The festival was founded to, “educate and engage diverse Philadelphia communities, Jewish and non–Jewish alike, by presenting world–class film premieres, repertory cinema, and associated programs that are inspired by Jewish history, heritage, and values.”It will be taking place through Nov. 23.
(11/27/19 4:58am)
Thanksgiving break: the holiday that's all about tense family politics, revisiting awkward stories from your childhood, and endless moments we wish we could avoid. Luckily, there’s a solution—a trip to the movies, otherwise known as two hours of no conversation over freshly buttered popcorn.
(11/07/19 2:01am)
The Lighthouse is a hard film to watch and an even harder one to explain. Its premise is that Robert Pattinson and Willem Dafoe are stranded on an island together for four weeks, and clearly they're beginning to go insane. There's a female siren, who shouts in a terrifying half–song, half–scream, a seagull who attempts to make Robert Pattinson’s existence a living hell, and an incessant humming noise from the lighthouse that seems to be driving each character mad. Director Robert Eggers, who previously gained critical acclaim for his breakout film The Witch in 2016, has crafted this film in black–and–white and an oppressive 1.19 by 1 aspect ratio. There's also the glaring, holy light of the lighthouse, omniscient and pseudo–religious. Suffice it to say, The Lighthouse is a very strange film, but certainly an interesting one.
(11/04/19 8:34am)
The King, on all accounts, should be a home run—it has Timothée Chalamet, Robert Pattinson, men rolling around in the mud, and it’s released on Netflix, meaning its mass of Twitter fans can watch it right from their bedroom, free of charge. The film initially gained traction when its trailer was released and people drooled over Timothée Chalamet’s dirt–stained face and messy hairstyle. Even within hours of its release, people were already talking about Robert Pattinson and his weird accent. Yet, despite the fact that The King seemed primed for success, it fumbled with a boring plot, peculiar pacing, and some uninspired performances.
(11/06/19 2:31am)
It comes as no surprise that the era of female superheroes is upon us. As Marvel has gained mainstream and critical attention with the massive productions of Avengers: Infinity War and Endgame, it's become clear that this specific genre of superhero movie cannot escape from popular media trends. This year’s Captain Marvel, starring Academy–Award winning Brie Larson, confirmed Marvel’s desire to follow the popular trope of the girlboss: a woman who breaks glass ceilings and stands up for herself.
(10/31/19 11:20pm)
The first scene you see in Netflix’s new show, Living With Yourself, is Paul Rudd clawing his way out of a grave with nothing but a diaper and a plastic bag on. It’s bizarre, kind of frightening, and vaguely off–putting—but it makes you want to keep watching.
(10/29/19 11:58pm)
There were petitions calling for the cancellation of Netflix’s Insatiable before the show was even released. After watching the trailer for the first season back in 2018, a number of outraged viewers felt Insatiable was unbelievably problematic. Having attracted criticism for homophobia, fatphobia, and racism, it seemed unlikely that Insatiable would ever survive its initial release. Now, over a year later, the show’s second season made it Netflix’s most binge–watched program on the internet.
