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Film & TV


34th Street Magazine

99 Problems, but this film ain't one

If you haven't yet heard about American Gangster, you're probably living under a rock (or maybe just in Hill). The film's hype and star power (not to mention Jay-Z's decision to make a concept album based on it) set expectations high.


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The Devil made me do it

Before the Devil Knows You're Dead answers a question you didn't know you were supposed to ask: can an art house action film be enjoyable?


34th Street Magazine

A B.A. in Murder

To be honest, I had low expectations while sliding the Netflix DVD of Behind the Mask into my computer.


34th Street Magazine

Take 4

In the mood for mutilation this Halloween? Shaun of the Dead (2004) Though this is a parody from across the pond - think Dawn of the Dead meets Harold and Kumar - British comedians Simon Pegg and Edgar Wright know how to splatter their way into movie history.


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Real Good

This film - indie filmmaker Peter Hedges's follow up to Pieces of April - tells the story of Dan Burns (Carell), a widowed advice columnist having a tough time following his own advice.


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It was a dark and stormy night

Halloween: a time when families map out trick-or-treating routes, neighbors stock up on candy and Penn students blur the boundaries between "dressing up" and not dressing at all.


34th Street Magazine

Take 4

Hollywood has always had an infatuation with period films. Whether it's the allure of capturing a bygone era, the ability of history to provide an interesting story, or the need to dress hunky male actors in tights, nothing says Oscar and prestige quite like a costume drama.


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Delhi-cious

Wes Anderson is a director of details. Of course, he's more than that; his past films like Rushmore, The Royal Tenenbaums, and The Life Aquatic are works that celebrate the quirkiness of dysfunction.


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Not Quite Golden

An extravagant treat for history buffs, this sequel to the 1998 Academy Award-winning film Elizabeth reunites the Australian-born acting duo Cate Blanchett and Geoffrey Rush for another great performance.


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Flight of the Phoenix

We Own the Night explosively changes the traditional crime drama to include a powerful familial message.


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Mediocre Rendition

Gavin Hood's follow-up directorial effort to the Academy Award-winning Tsotsi is all too reminiscent of the post-Oscar pitfalls often found in Hollywood.


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The good, the bad and the pretty

The Assassination of Jesse James by the Coward Robert Ford, director Dominik's second feature, is so good I couldn't bring myself to leave the theatre for a bathroom break when my bladder, only 40 minutes into the 2+ hour film, screamed full.



34th Street Magazine

Love blows

It starts off well enough. This film, from the directors of There's Something About Mary, is all set to provide a humorous commentary on the dangers of listening to others when it comes to important, life-altering decisions.


34th Street Magazine

Lost Caution

Ang Lee's Lust, Caution, adapted from a short story by Eileen Chang, is a captivating tale of desire and espionage set in Japanese-occupied Shanghai during World War II.


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Phillywood

If Philadelphia were to play a role in a teen sex comedy, it would play the girl who can't get a date for the prom - a Molly Ringwald character who somehow goes unnoticed by everybody except one weirdo (seriously, M.


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Delicious

This film, from the director of Kramer vs. Kramer, asks the question: Is love just a trick nature plays on us or is it the only meaning there is to this crazy world?


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Trailer Park

White Collar: Persepolis: Highly stylized animation set to an off-beat rendition of "Eye of the Tiger" makes for an extremely entertaining trailer, even though the English trailer isn't out yet.


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Meet the Osbornes

In this dark comedy, Finn Earl (Anton Yelchin), a teenager from New York City, is planning to have the summer of a lifetime studying the Iskanani tribe in the Amazon with his anthropologist father.