Film & TV
Review: African Cats
Disneynature’s latest explores three big-cat families as they fight for survival and supremacy.
Summer's Hot Flicks
Though summer is the most lucrative period of the year for the film industry, the quality of summer movies seems to be inversely proportional to the profit.
Guilty Pleasure: St. Elmo's Fire (1985)
In five days, Penn’s seniors will have their last day of college classes.
Review: Water for Elephants
R–Patz ditches Twilight, effectively trading one circus for another.
Review: The Conspirator
Sometimes it’s better to leave the past behind.
Beanbag Bliss
In case you find some downtime in between the mimosa–filled morning bashes and drunkorexic downtowns of the evening this weekend, Street beckons you to pull up a beanbag chair and turn on, tune in and drop out.
Interview: Hayden Panettiere
The scream queen spoke with Street about becoming a horror flick ingenue.
Best of CineFest
Like a phoenix risen from the ashes, the Philadelphia CineFest is back, opening tonight and running through next Thursday.
Interview: Saoirse Ronan
Street spoke with the 16–year–old star of Hanna about playing an action hero.
Review: Miral
Overwrought political commentary weighs down a soaring cast.
Review: Source Code
Somebody save Jake Gyllenhaal from his agent.
Welcome to Quakerwood
Though West Philadelphia is hardly Hollywood, Penn hosts a thriving student film scene. Just look no further than this year’s iteration of the College Houses Film Festival, held March 21–24.
Review: Win Win
Superb script and cast make for a stellar comedy.
Review: The Music Never Stopped
At least he learns to love the Grateful Dead.
Deja Vu: Dancin' in the Rain
Natalie Portman won an Oscar this year for being able to hold her face in the same position for two straight hours in Black Swan. The same consistency can’t be applied to her footing as a ballerina, according to Portman’s dance double in the film, Sarah Lane. Lane told EW this week that Portman herself was only featured in “five percent” of the “full body shots.” Technology, she explains, was used to put Portman’s face on her body. Another film that deals with burgeoning technology comes to mind, wherein the protagonist of a big screen spectacle also turns out to be a faker.
