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34th Street Magazine

Work It

Not to sound like your mom or anything, but summer is fast approaching. And, if you’re anything like us, you’ve decided to forgo the OCR path in hopes of something better.



34th Street Magazine

A Paranormal Experience

It’s about time we all started believing in ghosts. In the posthumous release of Valleys of Neptune, the phantom of Jimi Hendrix has entered the airwaves to show that forty years on, he still deserves one of the highest thrones in the pantheon of rock deities.


34th Street Magazine

It's A Small World After All

It’s easy to forget that there is a whole musical world out there full of artists who are taking their own traditional styles and fashioning them into contemporary masterpieces that challenge our preconceptions of what music is, has been and will be.


34th Street Magazine

It's Already Happening

Belgian indie rock vet Dieter Sermeus has seen it all, from the heyday of punk to the early 90s lo-fi haze.


34th Street Magazine

We're Going Green

A collaboration between DJ Green Lantern, the former DJ for Eminem’s Shady Records, and Styles P of The LOX, The Green Ghost Project sounds exactly like what it is: a bunch of talented guys coming together to make hip-hop they themselves would actually listen to.


34th Street Magazine

One Track Mind

Damon Albarn’s non-Blur work has always been notable for its effortlessly vibrant way of flirting with a diverse range of genres and styles.


34th Street Magazine

Under The Radar

K-Os has always been one of those artists on the brink of success. Maybe it’s his Canadian heritage that’s holding him back; his smooth hip-hop has swiftly flown under the musical radar for nearly all of his 17-year career.


34th Street Magazine

Say Yes

Yeasayer’s sophomore album Odd Blood is deceptive. The first song, “The Children,” is a pretentiously experimental jumble of robotic noises and creepy, boogeyman vocals.


34th Street Magazine

Say Yes

Yeasayer’s sophomore album Odd Blood is deceptive. The first song, “The Children,” is a pretentiously experimental jumble of robotic noises and creepy, boogeyman vocals.


34th Street Magazine

Say Yes

Yeasayer’s sophomore album Odd Blood is deceptive. The first song, “The Children,” is a pretentiously experimental jumble of robotic noises and creepy, boogeyman vocals.




34th Street Magazine

Dubstep Takes On The World

Once again, the Brits have beaten us to the punch with the next music craze: meet dubstep. This phenomenon, one that you don’t even know you’ve heard of, began in South London’s underground dance scene almost ten years ago.


34th Street Magazine

R.I.P. Music Television

When I was a not-so-rebellious preteen, MTV was the coolest. My dad introduced me to The Real World and Spring Break, but it was the music videos that really got me.


34th Street Magazine

The Worst Deja Vu

This is going to sound harsh, but we are exhausted. We are exhausted by the lack of rhythm and blues in today’s supposed R&B, churned out by a revolving door of producers who seem to have forgotten how to make a three-minute song original.


34th Street Magazine

One Track Mind

All lush vocals and sultry piano, “Crave You” is, in a word, captivating. Giselle Roselli’s brilliant melody and lovelorn lyrics are perfectly at home in the rich, musical world Flight Facilities have created; the retro, loungey vibe is offset by a perfectly modern breakdown and a few flawlessy placed claps and synths.


34th Street Magazine

Ready For Take-Off

Flight Facilities, comprised of Aussie artists Jimmy 2 Sox and U-Go-B, are taking off this year.


34th Street Magazine

A Dream Indeed

Beach House made big waves with their last album, Devotion, which was noted for its beautiful austerity and spartan soundscapes.