Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Film & TV

Roadtrippin'

The Lucky Ones is only the latest example of Hollywood's love affair with the road trip genre. Here are our picks for the top ten.

1. It Happened One Night (1934) But only once. That's what she said, sadly.

2. Easy Rider (1969) You're either on the bike or off the bike.

3. National Lampoon's Vacation (1983) Walley World and Anthony Michael Hall? Sounds like a dream vacation.

4. Planes, Trains & Automobiles (1987) Missing your flight has never been so Candy-licious.

5. Thelma and Louise (1991) Brad Pitt takes his shirt off. Oh, and something about a road trip.

6. Fear and Loathing in Las Vegas (1998) Peyote is the new license plate game.

7. The Straight Story (1999) An old man travels from Iowa to Wisconsin to visit his dying brother. On a lawn mower.

8. O Brother, Where Art Thou? (2000) The Coen Brothers + Homer + the KKK = hilarious odyssey across Mississippi.

9. The Motorcycle Diaries (2004) ¿Quién necesita Kerouac cuando hay Che?

10. Little Miss Sunshine (2006) Abigail Breslin's striptease makes traveling in a broken-down VW bus almost worth it.


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.