Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Film & TV

The Ins and Outs of 2011

Sure, it was the year of The Social Network and The Fighter, but audiences also suffered through Sex and the City 2 and Furry Vengeance. Given how the studios performed at the box office (read: bad), we’re guessing you may not have made too many trips to The Rave this semester. And if our in/out list is any indication, it looks like things won’t be too much better in 2011. Don’t say we didn’t warn you.

[column width="47%" padding="6%"]

Out:

Faux–docs

Natalie Portman

Comic Book Movies

Owls

Toy Story 3

Nicholas Sparks (The Last Song)

Harry Potter and the Deathly Hallows: Pt. 1

Romance

Carine Roitfeld

Inception

Conan O'Brien

Everything film buffs hold sacred

The Beaver[/column]

[column width="47%" padding="0"]

In:

Docs about the making of faux–docs

Mila Kunis

Comic Book Movies

Rango

Scream 4

Literature

The Twilight Saga: Breaking Dawn Pt. 1

Sex

Miss Piggy

The Smurfs

Conan the Barbarian

The Straw Dog Remake

The Bieber[/column] [end_columns]


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.