Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Review

'Gainsbourg' Gains a Fan

Gainsbourg: a Heroic Life starts with an adorable, rebellious eight–year–old Jewish boy in WWII France, a combination that seems designed to make the audience fall in love with the protagonist.

But this little boy is Lucien ‘Serge’ Gainsbourg, future famous musician and angry, self–destructive man. So even on the outset, it’s hard to bond with the title character.

Gainsbourg is a talented painter whose father pushes him towards the piano. Since he’s brimming with creativity, he also happens to be an excellent musician. As Gainsbourg ascends to fame, he is literally followed and increasingly dominated by a giant puppet–like stand–in for his ailing psyche: Professor Flipus. There’s a distracting squeaky sound effect as the odd figure, with long pointy fingers and an exaggerated nose, walks behind Gainsbourg like an unwelcomed shadow. Using the puppet as a symbol for Gainsbourg’s internal pain makes it very clear that this is a man dealing with some sort of mental illness. Unfortunately, the audience loses a true understanding of Gainsbourg’s situation because human suffering becomes a creepy puppet and our protagonist reluctantly bends to its will.

The most endearing part of the film is Gainsbourg’s relationship with his parents. As a child, his father harshly molds him into a pianist, but as an adult, they blush and giggle when they talk on the phone to his then–girlfriend, Brigitte Bardot. Gainsbourg’s slew of lovers may have each been enchanting, but taken all together in a two–hour movie, the pattern is more boring than anything else: see another beautiful woman, bed her, fight with her and start again. Even if the romances are supposed to be inspiring, Gainsbourg begins to seem cold and mechanical in the way he treats other people.

Scene for scene, the movie is fine: just fine. But, after everything, the jazzy piano music, shots of Paris and impersonations of the 20th century’s most compelling women provide enough to keep the audience entertained — even if watching the main character spiral out of control is more uncomfortable than tragic.

 

2/5 Stars Directed by: Joann Sfar Starring: Eric Elmosnino 130 min. Not rated. See if you liked: La Vie en Rose (2007) Gainsbourg: A Heroic Life opens Friday, Nov. 11 at Ritz at the Bourse


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.