“What do Wharton and Harold & Kumar have in common?” you may ask. That’d be Penn Alumn Jon Hurwitz, the would-be investment banker and Finance graduate of Wharton who asked, “why sell my soul to the banking world when I can sell it to Hollywood, instead?” Responsible for writing and producing the Harold & Kumar trilogy, Hurwitz is hard at work, combining biting social commentary and comedy on his Twitter.
Don't we all, Jon. Don't we all.
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Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.
Paul Feig adapts Freida McFaddenu's The Housemaid into a spectacle; one with just a little more shock value.
Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.
Solutions by The State News