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(10/03/22 12:00am)
Summer of Soul (...Or, When the Revolution Could Not Be Televised) opens with shots of curls, coils, kinks, and fros being glazed by the New York City summer rain. Fresh presses are covered by bright, patterned scarves. Brown hands with fire engine red nails dance in the air. A sea of dark eyes bounce from corner to corner of the stage, and a different kind of light comes from the smiles of dark faces when a 19–year–old Stevie Wonder steps on stage in a cocoa brown suit.
(09/30/22 12:00am)
In a contemporary United States, backlash over a Black woman being chosen to play a mythical creature princess reinforces the racist undertones in our nation’s film industry.
(09/27/22 11:00pm)
Imagine Disney+ or Kevin Feige doing a Game of Thrones prequel about House Targaryen. There would be more dragons, for sure. An amusing tour of the dragon pit with a flippant guide is warranted in the first ten minutes of the pilot, including several self–referential jokes. They might even have two dragons spew fire at each other, although no one would be harmed by the end of the episode.
(09/27/22 11:00pm)
Don’t Worry Darling, Olivia Wilde’s second directorial film after Booksmart, appears to be a mysterious thriller that follows Alice (Florence Pugh) and Jack Chambers (Harry Styles), who live perfect lives in a 1950s utopian town called Victory until things soon go awry and secrets emerge. The film is meant to be a drama—it tackles serious themes like manipulation, abuse, and paranoia. Yet, ironically, Don’t Worry Darling might be the year’s funniest movie.
(10/07/22 12:00am)
Sissel Tolaas wants you to smell fear. Her exhibition RE__________, newly opened at the ICA, offers a sprawling tour of our shared smellscape; from sandy beaches to dollar bills, the Norwegian chemist–turned–artist has set out to capture the smells—both foul and fragrant—of daily life.
(09/26/22 12:00pm)
A year ago, if someone told any television executive that the hottest new comedy was going to be a half–hour sitcom on ABC, that executive would’ve had their assistant’s assistant laugh in that person’s face, and for good reason. Until the premiere of ABC’s Abbott Elementary, nearly every new network sitcom in the last ten years has been dead on arrival. And even if shows like Young Sheldon and The Conners are able to maintain a consistent viewership, Abbott Elementary is the one being watched and adored by all of Hollywood for its nearly impossible feat of being successful both commercially and critically on a network.
(09/23/22 2:27am)
This summer, Warner Bros. Discovery went on a cost–cutting spree, removing films and shows from its streaming service, HBO Max, and permanently shelving a number of upcoming projects. One of these projects was DC Films’ Batgirl, a $90 million film in post–production that was set to be a part of the DC Extended Universe (DCEU). Originally scheduled to be released on HBO Max in December 2022, Batgirl was shelved to serve as a tax write–off for Warner Bros., according to Variety. DC Films’ handling of Batgirl and its cancellation is one of many problems the studio faces in the upcoming months, as its future slate of films remains uncertain.
(10/10/22 10:25pm)
The first time I cried at my job as a front–of–house hostess, I was already four months in.
(10/03/22 1:53am)
Some of the most scrumptious food porn can be found on the big screen—in everything from mob flicks to rom coms to animated movies. But food scenes aren't just there to get the audience's mouth watering. Rather, the meals depicted on screen can represent bigger concepts and themes that drive the plot and reveal characters' true colors. Here are some of Street's all–time favorites:
(11/15/22 5:00am)
Leonardo Da Pression: “It’s like The Last Supper but depressing and in Commons.”
(09/16/22 1:13am)
Located just south of City Hall, right on the edge of Gayborhood, sits a small establishment that blends into the vibrant city surrounding it. Don’t mistake Grandma’s Philly for just another restaurant—this Thai spot invites you to enjoy delicious homestyle meals, grandma–style.
(09/30/22 1:51am)
“Amma” means mother. It’s perhaps the most ubiquitous word in South India; in Tamil, Telugu, Kannada, and Malayalam alike, the word “amma” evokes a range of emotions, from love to belonging to warmth. When I think of my own amma, I think of my childhood in Chennai, India: loitering in a cramped kitchen, touching everything, asking her what this ingredient is or what that smell is. I think of slowly counting down the minutes after she shooed me out, waiting until she plated whatever concoction she’d decided on for the day, and then gulping it down before I was reprimanded for eating too fast.
(09/28/22 12:30pm)
Tucked behind the traffic of East Passyunk Ave sits an unassuming sidewalk sign promising tacos. The inside of Juana Tamale, on the other hand, is anything but discreet.
(09/30/22 1:56am)
Prunella is Midtown Village’s new hot spot, serving up creative and tasteful twists on classic Italian and American fare. Amidst much anticipation, the restaurant opened in late March 2022 and is owned by celebrity chef and restaurateur Michael Schulson. Schulson is widely known for his other Philadelphia restaurant, Double Knot, a sushi bar that was named one of Open Table’s top 100 restaurants in America in 2018.
(09/28/22 1:00pm)
Located along the banks of the Schuylkill in charming Manayunk, The Volstead by Unity is Philadelphia’s first zero proof bar. Opened in the spring of 2022, The Volstead is the newest addition to Arielle and Robert Ashford’s Unity spaces throughout Philly—all of which aim to support individuals’ health and wellbeing while creating a sense of community. They serve non alcoholic drinks in order to carve out a safe space for people who are in recovery, choose not to drink, or are just “sober–curious,” and provide delicious, 100% vegan food to support sustainability. They also employ those in recovery and returning from incarceration.
(10/03/22 1:49am)
On 13th Street lies one of Center City’s many long–running success stories: El Vez. The modest yet rambunctious Mexican restaurant, which prides itself on its “Mex–Eclectic spirit” and "bright, boisterous" nightlife, is a Philly classic, having been open for 19 years as of 2022. It’s a place that screams fun, even if it pales in comparison to Philly’s ever–growing Mexican food scene.
(09/23/22 4:00am)
Sprawling green plants—real and illustrated—usher me into the windowed entrance of Hibiscus Cafe. Located on the corner of 49th and Catharine streets, the restaurant specializes in Caribbean–inspired vegetarian dishes and a wide array of fruit drinks. Hibiscus has been open for nearly ten years, offering great options for vegan and non–vegan eaters alike.
(09/13/22 7:00pm)
As soon as you enter Pizzata Pizzeria, a take–out joint just a couple blocks from Rittenhouse Square, its outstanding determination for the craft of pizza–making might not be readily apparent from their simple layout. A small bit of room with a mirror for one wall and a neon pink “Welcome Pizza Lovers” sign and disco ball on the other, the New York–style pizzeria didn’t bear its praise until I got closer to the register. Once I saw articles pinned up to the wall from Thrillist and Pizza Today, I started to understand the hype.
(09/12/22 1:14am)
After decades in development hell, Neil Gaiman’s “unfilmable” magnum opus, The Sandman, has finally reached the small screen as an 11-part television series on Netflix. The Sandman is an ultra-faithful adaptation of Gaiman’s evocative, cerebral, and critically-lauded The Sandman comic book series beginning in 1989. Under Gaiman’s guidance as an executive producer and writer, the show is a near replica, regurgitating precisely what lies on the page of the comic. Yet, the show suffers from its loyalty, as it takes few creative liberties when it should feel free to rework Gaiman’s original words. With all of its consistencies, The Sandman lacks a pulse, as its writing reflects the comics’ own meager pacing.
(09/07/22 5:26pm)
We’ve seen it time and time again: female protagonists going head to head over a guy. It’s Blair against Serena, Meredith against Addison, Peyton against Brooke, and—a more recent favorite—Kate against Edwina in season two of Bridgerton. The love triangle is often used to create tension between two female characters in film and television. This trope has been present in popular culture and storytelling practices for a very long time, and it seems as though it isn’t going away any time soon.
