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(09/13/23 4:00am)
By now, Greta Gerwig’s Barbie requires no preamble. The film has not only grossed over $1.4 billion at the worldwide box office but has become a cultural phenomenon of proportions not seen by a major studio film in years. “Hi, Barbie!” and “I am Kenough” have already entered the mainstream lexicon, and the film’s soundtrack has been successful, with Dua Lipa’s “Dance the Night,” Nicki Minaj and Ice Spice’s “Barbie World,” and Billie Eilish’s “What Was I Made For?” all charting on the Billboard Hot 100. Along with Christopher Nolan’s Oppenheimer, Barbie has been hailed as a saving grace for the film industry: an original story backed by a big–budget studio that features two movie stars and has delivered both critically and commercially.
(08/18/23 2:31pm)
Editor’s Note: This article contains spoilers
(08/13/23 4:56am)
Attending screenings of Red, White & Royal Blue in New York and Philadelphia, I had planned to sit back and enjoy a light–hearted “romance of the summer." But this was no average romantic comedy. In a genre often plagued by surface–level meaning and limited representation, Red, White & Royal Blue emerges as a swoon–worthy yet culturally significant film that authentically explores an intersectional spectrum of queer identities and experiences.
(08/07/23 4:08am)
It all began with picking my little sister up from a museum camp. Part of the privileges of being home for the summer is the duty of providing the rides necessary in my public transportation–less hometown of Houston. While waiting for my passenger, I meandered through the halls to find the museum's latest art exhibition: Artists on Site. After tugging on the locked door (and double checking that it wasn’t actually a “pull”), I began to walk away when a young woman in her twenties unlocked the door to let me in.
(08/04/23 12:47am)
Every once in a while, a great movie battle shakes the foundations of the Internet. There are classics like Star Wars vs. Star Trek. There was the Epic Rap Battles of History duel between Steven Spielberg and Alfred Hitchcock (and Quentin Tarantino, Stanley Kubrick, and Michael Bay). But in 2023, the film gods have blessed audiences with an instant classic: Barbenheimer.
(07/07/23 5:00am)
Everyone in Asteroid City is obsessed. Each character is achingly devoted to their craft, be it writing or acting or pushing the bounds of scientific innovation; and, just as Wes Anderson does himself, everyone is telling their story.
(07/28/23 7:56pm)
Walking into Art Enables, a gallery and community arts program for people with disabilities in Washington, D.C., I was instantly greeted by friendly coordinators and the sight of artists perfecting pieces with paint brushes, markers, papers, and canvases.
(05/17/23 5:19am)
On visits to the Barnes Foundation, I usually have the same expectations in mind. I’ll see Renoir’s pale naked ladies, Degas’s French dancers, and piece after piece by other white Impressionists. I’ll take in every hazy, pastel–colored world, locked in gold frames, chosen by Dr. Barnes himself.
(04/26/23 11:00am)
An A24 film is defined by two unmatched qualities: surrealist art and realist relationships. Grounded in these A24 principles, Beef reveals the underbelly of humanity, ascribing a certain proposition to the audience: “anger is just a transitory state of consciousness.” And moreover: it’s okay to be angry.
(04/24/23 4:00am)
I have read two of Carmen Maria Machado’s works: her memoir In the Dream House and a short story from her forthcoming collection, The Tour. Both times her words almost brought me to tears. It’s not explicitly the content of her works that causes the swell of tears in my eyes, though their storylines are certainly powerful in and of themselves.
(04/25/23 1:00pm)
Pumpkin spice lattes, flannels, ombre highlights, Shane Dawson, Tana Mongeau, Drake, BuzzFeed Quizzes, and, of course, Coachella—only a few of the phrases that may be found in a time capsule of early–to–mid 2010s pop culture. If Drake was the King of Culture, and Beyoncé or Taylor Swift the Queen, then Coachella was pop culture’s palace, an event that took over social media and was attended by both up–and–coming influencers and YouTubers and traditional A–list celebrities. Coachella always seemed to be as undeniable of a cultural event as the Met Gala, and yet, this year’s Coachella seems like a non–event, suggesting that perhaps the 2010s are truly over.
(04/23/23 10:25pm)
As tulips poke up along the banks of Boathouse Row, song birds return to telephone lines, and Penn students set up aesthetically pleasing picnics along the Schuylkill River, one thing is certain—it’s spring in West Philadelphia. What’s less obvious is that a burgeoning network of trails criss–crossing the city supports these bucolic celebrations of spring. These trails are critical for urban recreation and the health of wildlife, and they rely on public support to accomplish their goals.
(04/26/23 4:00am)
After a hectic week of classes, I’m looking forward to one thing. Windows closed, dorm door locked, and computer brightness all the way down, I open up an incognito tab and navigate to my secret guilty pleasure: Outer Banks.
(04/28/23 4:00am)
every episode of girls (hbo) is a aesop's fable, the moral of which is "wherever you go, there you are"
(04/21/23 10:00am)
Melanie Martinez has made waves in the music industry through the exploration of her alter ego Crybaby. Her debut album of the same name followed the twisted world of Crybaby as she dealt with kidnapping, murder, and aching loneliness. Martinez’s follow–up album K–12 navigates Crybaby’s school years with a full–length film being released alongside it. Martinez is dedicated to the craft of concept albums and telling a singular narrative across the entire tracklist. But her latest iteration of the character may just be her most ambitious project yet.
(04/17/23 7:00am)
What are you doing this summer? “Oh, I’m interning at BORGan Stanley.”
(04/14/23 12:00pm)
On the night of Friday, March 24, amongst the ancient artifacts of the Penn Museum, another exhibit was on display. Leather skirts, hypnotic patterns, laced corsets, metallic makeup, and skin–tight platform boots circled the third floor of the museum. A red carpet with rose petals sprinkled about led the way into Gallery 54. The lights of the large circular room, with even higher ceilings, were dimmed. Lit candles, brightly colored orbs, and the flash of cameras served as the main sources of light. The Penn Met Gala was a night to remember.
(04/21/23 10:07pm)
Warning: This piece contains spoilers for the season finale of The Last of Us.
(05/08/23 4:00am)
Dolly Alderton knows what she's talking about when it comes to adulthood—or at least what we've come to consider #adulting. Everything I Know About Love is a collection of diary entries, recipes, anecdotes, and ironic reflections of what she learned about parties, dates, work, life, and—most importantly—love in her adolescence and early twenties.
(04/09/23 5:34pm)
Revenge songs are not new in the music industry, and neither is Shakira. Music Session #53, Shakira’s newest collaboration with BZRP, exists in the intersection between revenge songs and Shakira’s essence—and it is a song birthed from her long–term partner Pique's alleged infidelity.
