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Film & TV


Deja Vu: Dancin' in the Rain

Natalie Portman won an Oscar this year for being able to hold her face in the same position for two straight hours in Black Swan. The same consistency can’t be applied to her footing as a ballerina, according to Portman’s dance double in the film, Sarah Lane. Lane told EW this week that Portman herself was only featured in “five percent” of the “full body shots.” Technology, she explains, was used to put Portman’s face on her body. Another film that deals with burgeoning technology comes to mind, wherein the protagonist of a big screen spectacle also turns out to be a faker.



Review: Jane Eyre

Adaptation succeeds in as many ways as it fails.



Defibrillator: Kundun (1997)

For most moviegoers, the plight of the Tibetan people isn’t the first thing to come to mind when reflecting on the work of Martin Scorsese.





Metropolitan Masterpiece

With a number of mediocre sequels and insipid, CGI–ridden genre films on the horizon, it’s no surprise that audiences everywhere are hankering for the original, thought–provoking cinema of yore.


To Eyre is Human

Still lacking a definitive version, Jane Eyre’s impressive oeuvre of filmic adaptations should serve as a guide for filmmakers eager to adapt their favorite reads.


Review: Limitless

Slick filmmaking can't make up for this thriller’s unnecessarily pessimistic take on humanity.









Michelle Williams as Cindy and Ryan Gosling as Dean in BLUE VALENTINE

It Should Have Been You

It’s a pity that some of the year’s best efforts go unrewarded at the Academy Awards. Street pays tribute to the lost work this year and calls out the nominees who don’t deserve to be there.