Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Film & TV

3 Questions With Kevin James

Street: In the film, you play a high school teacher who decides to become a mixed martial arts fighter to save the school’s music program. What was it like training for such a physically demanding role? KJ: It was tough, I gotta be honest. It was hard. I had to change up my diet. I worked out like three times a day with professional fighters. It was good. I got a lot of lumps from it, but ultimately, we needed it for the believability of the fight scenes.

Street: You co–wrote, produced and starred in the film. To what extent was it your brainchild? Kevin James: It was mine. I’ve always had a passion for showing this ultimate fighting in a different light. It seems so brash to some people. And using it as a means of showing that this guy will sacrifice anything for his friendship and his school.

Street: What can viewers, specifically students, expect from the film? KJ: I think they can expect a boatload of comedy. It’s different comedy than what I’ve done. It’s not, maybe, as juvenile as “Paul Blart.” It’s more organic comedy in the situation, but it’s a big, funny, inspirational movie that I think everybody’s gonna love.


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.