Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Film & TV

Review: "Foxcatcher"

Channing Tatum and Steve Carell hit the mat in their new Olympic flick.

“I want to be the best in the world.” Mark Schultz (Channing Tatum), an American 1984 Olympic gold medalist responds with these words to John Du Pont (Steve Carell) after John simply asks, “What do you hope to achieve?” The highly–anticipated psychological drama “Foxcatcher” tells the true story of what happens when Mark joins Du Pont, a schizophrenic heir, to form the 1988 US Olympic wrestling team.

The audience immediately sees a stark contrast between Mark and his brother, Dave (Mark Ruffalo). Mark trains alone and returns to his bleak apartment, while Dave coaches the Stanford wrestling team and has a beautiful wife (Sienna Miller) and children. When John Du Pont reaches out to Mark to form the US Olympic Team, Mark packs his bags and moves to Du Pont’s Foxcatcher Farm in Pennsylvania to begin training. Du Pont’s aspirations to save US wrestling are clear in his interaction with the team, and with Mark in particular. Although first presented as an opportunity for Mark to step out of his brother’s shadow, Dave soon joins Team Foxcatcher and the tensions between him, Mark and Du Pont ultimately lead to tragedy.

He’s no male stripper or undercover cop, but Channing Tatum’s commanding performance captures the harsh reality of an athlete who strives for recognition. Steve Carell subtly but successfully personifies Du Pont’s chilling, detached demeanor. His eeriness later raises questions about his mental stability, and he even shows up to training one day with a gun. Scenes with dialogue emphasized the silence when neither character spoke, which helped foster dramatic tension and created a realistic environment for the audience. This lack of sound only enhanced and heightened the emotions in the film.

“Foxcatcher” is a truly powerful film that brings a fresh and unique story to the screen. Despite the violence associated with wrestling, director Bennett Miller successfully portrays wrestling not only as a sport, but as an art. The noteworthy acting of its renowned stars has lead the film to receive critical acclaim, and after eight years in the making, the film finally illuminates the screen with the life of a wrestling champion.


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.