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Unable to stick to its roots or build a new sound, Joyce Manor’s latest album is painfully mediocre. Nishanth Bhargava reviews the band's identity crisis—where half–formed experimentation loses its youth in a sonic limbo.
Paul Feig adapts Freida McFaddenu's The Housemaid into a spectacle; one with just a little more shock value.
Who would have thought? No phones make a show–going experience so much better. Gregory Alan Isakov delivered a captivating, all the more resonant performance at The Met in Philadelphia.
Solutions by The State News
