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(11/10/23 2:00pm)
Editor's Note: This is (strictly speaking, no guarantee) the longest article we've ever published in the history of Street. Sadly, as much as we'd like to, we at the office can't watch the show back–to–back together in order to copy edit the piece and make sure Isaac has got every tiny detail right—that's the task we've left to all of you. I can't speak for everyone else, but I'm so ready to dive into Riverdale world immediately after this is published.
(11/07/23 10:37pm)
Twenty years ago, Roberto Aguirre–Sacasa, a former Glee writer who would go on to become the Riverdale showrunner, received a cease–and–desist order from Archie Comics the night before the world premiere of his adapted play, Archie’s Weird Fantasy. Archie Comics forced Aguirre–Sacasa to change his characters' names, distancing them from the pre–existing IP, as the company thought that portraying Archie as gay, which Aguirre–Sacasa intended to do, would “dilute and tarnish his image.” So the team bit the bullet, changed the names, and premiered Weird Comic Book Fantasy instead of Archie’s Weird Fantasy, following the grown–up lives of Tapeworm (Jughead), Monica (Veronica), Rosie (Betty), and an out–of–the–closet Buddy (Archie). Oh, and also the play included AIDS, the Leopold and Loeb case, and a meta–commentary on the head of EC comics. Is it any wonder Aguirre–Sacasa’s Riverdale would end up going in the myriad of increasingly fantastical directions?
(10/30/23 1:00pm)
“What’s your favorite scary movie?”
(10/26/23 10:00pm)
Imagine walking out of the movie theater, feeling either renewed or like you just wasted a few hours of your life, and wanting to rave, rant, or complain about it with someone. It’s a pretty common experience. Maybe you’d discuss the film with your friends over dinner; maybe you’d mention it to a classmate in passing.
(10/23/23 1:00pm)
We are living in the apex of recycled media. From dark and gritty reboots like Riverdale to unwanted sequels like the upcoming Gladiator 2, most high–profile projects these days simply get greenlit with a specific audience in mind. This is probably why when Rick Riordan visited the Disney+ offices, it didn’t take long to seal the deal: Percy Jackson and the Olympians—a veteran children’s series—is getting its well–deserved adaptation this holiday season.
(11/02/23 8:21pm)
Why are filmmakers so obsessed with food? The past few years have seen a dramatic rise in the popularity of movies and TV shows set in the kitchen: The Bear, The Menu, Burnt, Boiling Point and The Taste of Things are just some examples. Why has this niche genre exploded? In this article, I will answer that very question and present my Grand Unified Theory of Food Film, a five–part theory as to why the Food Film has become so popular.
(10/18/23 7:05pm)
On Monday, Oct. 9, after nearly five months of being on strike, 99% of the membership of the Writers Guild of America voted to ratify the contract that the WGA negotiating team had reached with the Alliance of Motion Picture and Television Producers. With gains made for a restructuring of the residuals model in the age of streaming, protection from AI, and assurances about the minimum amount of work a writer will get for a certain project, the deal is nothing less than historic.
(10/20/23 10:00am)
Wes Anderson loves stories. He loves stories about stories. He even loves stories about stories about stories. With his three latest films, The French Dispatch, Asteroid City, and the recently released collection of short films, The Wonderful Story of Henry Sugar, Anderson has delved deeper into his fascination with storytelling and created an unofficial “artifice trilogy,” three films that explore why we tell stories and how we frame them.
(10/16/23 4:00am)
In a Miyazaki film, time is granted to allow the characters to live.
(10/30/23 4:00am)
To say “food is a love language” has become a one–liner spoken ad nauseam, but it cannot be denied that some foods truly do create feelings of warmth, comfort, and love. Filmmakers clearly understand food’s connection to love, specifically the correlation between eating noodles and falling in love. Captured countless times in some of cinema’s great love stories, these scenes showcase that the power of pasta and the power of love are not mutually exclusive phenomena.
(10/04/23 4:00am)
The term “cult classic” can very easily be understood by breaking it up into its two constituent words: Cult and classic. Cult means that a given piece of culture only appeals to a certain group, and that these devotees rarely make up more than a small subset of the overall population. But classic means that for these dedicated few, the piece of culture occupies a very special place.
(10/06/23 4:00am)
It only took Disney ten years to kill Star Wars—Star Wars, one of the most legendary franchises of all time. Imagine telling your eight–year–old self that one day, a new Star Wars TV show would be released every couple of months, and not only would no one care, but the shows would be mocked and reviled. This summer’s release of Ahsoka, the latest Star Wars TV show, demonstrates just how far the once–great franchise has fallen.
(09/28/23 7:33pm)
This summer, starting June 5th, just as in eight summers before, the U.K. reality TV show, Love Island, sent numerous single guys and girls to Mallorca, Spain where they would live with each other and work to form romantic connections. As in previous summers, different versions of the show premiered in other countries such as the U.S., France, and Australia. At almost any point during this summer, you could go online and find pages upon pages of discourse surrounding the show, its characters, and its various international spin–offs. And yet, despite Love Island's attempt at recreating its original hype from its first run, the show did not achieve nearly the same results this time around.
(09/27/23 11:00am)
Unlike its predecessor, the latest cinematic fight club features no pink soap, no toxic masculinity, and certainly no rules banning the discussion of fight club. In fact, leaders PJ and Josie are begging you to talk about their fight club, and please, bring all your hot cheerleader friends.
(09/24/23 11:14pm)
Workplace dramas are no newcomers to our television screens. From medical series like Grey’s Anatomy, to police comedies like Brooklyn 99, it would seem that general audiences like to spend their time after a 9–to–5 watching other people in their own 9–to–5s. It’s no real surprise that a legal drama like Suits, starring Gabriel Macht and Patrick J. Adams, would rack up numbers—but if the show premiered in 2011, why is it suddenly blowing up in 2023?
(09/18/23 12:00pm)
There used to be a standard method of viewing television. You’d pick up the remote, turn on the TV, pick a channel, and voila! You’re watching television. It was simple and nice and required minimal thinking. Today, the formula is not so simple. There is watching the show, looking at what people on the Internet are saying about the show, and then, listening to a podcast about it.
(09/13/23 12:00pm)
In the realm of cinema history, it has become rare to be surprised by the superhero genre, especially by origin stories. Unfortunately, “Blue Beetle” adheres to a generic formula as it introduces Jaime Reyes, his family, and the alien scarab that grants him superhuman abilities. From initial reluctance to acceptance of the “call to adventure,” to personal tragedies, Jamie goes through all the commonplaces in his first live–action contact with the public. Still, the film based on DC Comics manages to stand out and disappoint at the same time, thanks to the “Latinidade” brought by director Ángel Manuel Soto.
(09/13/23 4:00am)
By now, Greta Gerwig’s Barbie requires no preamble. The film has not only grossed over $1.4 billion at the worldwide box office but has become a cultural phenomenon of proportions not seen by a major studio film in years. “Hi, Barbie!” and “I am Kenough” have already entered the mainstream lexicon, and the film’s soundtrack has been successful, with Dua Lipa’s “Dance the Night,” Nicki Minaj and Ice Spice’s “Barbie World,” and Billie Eilish’s “What Was I Made For?” all charting on the Billboard Hot 100. Along with Christopher Nolan’s Oppenheimer, Barbie has been hailed as a saving grace for the film industry: an original story backed by a big–budget studio that features two movie stars and has delivered both critically and commercially.
(09/08/23 4:00am)
When put in the always–uncomfortable situation of sharing fun fact ice breakers, my go–to answer has always been, “My home town is obsessed with zombies.” It’s more than a little strange and, while not a lie, there’s more to the story. Night of the Living Dead, the horror movie credited with first bringing zombies to the big screen and putting an unexpected critique of racial tensions onscreen in the 60s, was filmed in my hometown’s cemetery. Moreover, that cemetery is right behind the backyard of my childhood home. As a kid, I could slip between the grave stones and envision hoards of corpses stalking me. I have a love–hate relationship with zombie media, because it's so integral to how I grew up and because, to this day, I still occasionally wake up in sweat and terror over a nightmare of living through the apocalypse. “They’re coming to get you, Barbara!” Oh, the amount of times I’ve heard that line.
(09/06/23 12:16am)
The Cannes Film Festival is addicting. Not just because of the luxurious assemblage of the grandest and most star–studded films of the year, all demanding one's attention, but because it's combined with the frantic atmosphere of a carnival. Covering the festivity for a Chinese media outlet, I attended the 76th Cannes Film Festival this May. Every morning—even after a mere four hours of sleep—in a small apartment I shared with four other reporters, I was instantly energized by yet another day exclusively dedicated to a cinematic world: where every conversation, every chance encounter, belonged to a magical experience.
