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(06/02/23 5:00am)
Every morning, pretty much as soon as I wake up, I want to see what’s happened in the world during the (ideally eight, but likely closer to five) hours since I was last awake. Like so many other members of the screen–addicted Gen Z, I turn to my cell phone. But instead of tapping on the blue bird of Twitter, or the rainbow newsstand of an aggregator like Google News, I’ve found myself turning to the orange and white alien icon of Reddit.
(05/17/23 5:19am)
On visits to the Barnes Foundation, I usually have the same expectations in mind. I’ll see Renoir’s pale naked ladies, Degas’s French dancers, and piece after piece by other white Impressionists. I’ll take in every hazy, pastel–colored world, locked in gold frames, chosen by Dr. Barnes himself.
(04/26/23 11:00am)
An A24 film is defined by two unmatched qualities: surrealist art and realist relationships. Grounded in these A24 principles, Beef reveals the underbelly of humanity, ascribing a certain proposition to the audience: “anger is just a transitory state of consciousness.” And moreover: it’s okay to be angry.
(04/24/23 4:00am)
I have read two of Carmen Maria Machado’s works: her memoir In the Dream House and a short story from her forthcoming collection, The Tour. Both times her words almost brought me to tears. It’s not explicitly the content of her works that causes the swell of tears in my eyes, though their storylines are certainly powerful in and of themselves.
(04/25/23 1:00pm)
Pumpkin spice lattes, flannels, ombre highlights, Shane Dawson, Tana Mongeau, Drake, BuzzFeed Quizzes, and, of course, Coachella—only a few of the phrases that may be found in a time capsule of early–to–mid 2010s pop culture. If Drake was the King of Culture, and Beyoncé or Taylor Swift the Queen, then Coachella was pop culture’s palace, an event that took over social media and was attended by both up–and–coming influencers and YouTubers and traditional A–list celebrities. Coachella always seemed to be as undeniable of a cultural event as the Met Gala, and yet, this year’s Coachella seems like a non–event, suggesting that perhaps the 2010s are truly over.
(04/23/23 10:25pm)
As tulips poke up along the banks of Boathouse Row, song birds return to telephone lines, and Penn students set up aesthetically pleasing picnics along the Schuylkill River, one thing is certain—it’s spring in West Philadelphia. What’s less obvious is that a burgeoning network of trails criss–crossing the city supports these bucolic celebrations of spring. These trails are critical for urban recreation and the health of wildlife, and they rely on public support to accomplish their goals.
(05/24/23 8:47pm)
It feels cliche to begin any letter about adulting with the phrase “growing up.” I’m going to do it anyway, but here’s hoping that I can get a pass for calling myself out. At the very least, you’ll have to acknowledge my self–awareness.
(04/26/23 4:00am)
After a hectic week of classes, I’m looking forward to one thing. Windows closed, dorm door locked, and computer brightness all the way down, I open up an incognito tab and navigate to my secret guilty pleasure: Outer Banks.
(04/21/23 4:00am)
Belated and transient, the spring has finally decided to make its splashy appearance with the sunny days; summer, by extension, is just around the corner. Well away with the haze of the pandemic that has encroached upon the film and television industry for three years, this summer will undoubtedly offer everyone a splendid feast. For me, it’s anxiously waiting for a promised thrilling ride with Christopher Nolan’s cinematic sensation Oppenheimer or Pixar’s latest entry Elemental, while at the same time eagerly anticipating the premiere of arthouse gems like Ken Loach’s The Old Oak, Aki Kaurismäki’s Fallen Leaves, or Wang Bing’s Jeunesse. Though, arguably, there’s still the ordeal of finals week to survive, Street’s decided to offer you a treat of all the incoming blockbusters, returning series, and quirky originals that are set to premiere in summer 2023.
(05/25/23 10:00pm)
“What do you want to be when you grow up?”
(04/28/23 11:00am)
In January, my best friend called me and told me she was pregnant. She was also getting married in less than 48 hours.
(06/16/23 5:00am)
Ships that pass in the night, and speak each other in passing,
(04/28/23 4:00am)
every episode of girls (hbo) is a aesop's fable, the moral of which is "wherever you go, there you are"
(04/21/23 10:00am)
Melanie Martinez has made waves in the music industry through the exploration of her alter ego Crybaby. Her debut album of the same name followed the twisted world of Crybaby as she dealt with kidnapping, murder, and aching loneliness. Martinez’s follow–up album K–12 navigates Crybaby’s school years with a full–length film being released alongside it. Martinez is dedicated to the craft of concept albums and telling a singular narrative across the entire tracklist. But her latest iteration of the character may just be her most ambitious project yet.
(04/17/23 7:00am)
What are you doing this summer? “Oh, I’m interning at BORGan Stanley.”
(04/18/23 6:13pm)
I jolt awake from my fitful, melatonin–induced nap. “¡Bienvenidos a Costa Rica!” blares the speaker in what is reminiscent of an Adam Sandler vacation movie. The book assigned as my spring reading, Ursula K. Le Guin’s anarchist science fiction Dispossessed, lays embarrassingly pristine on my lap, utterly untouched save for a marking on page five and a smear of thick five–a.m.–wake–up–call drool.
(04/14/23 12:00pm)
On the night of Friday, March 24, amongst the ancient artifacts of the Penn Museum, another exhibit was on display. Leather skirts, hypnotic patterns, laced corsets, metallic makeup, and skin–tight platform boots circled the third floor of the museum. A red carpet with rose petals sprinkled about led the way into Gallery 54. The lights of the large circular room, with even higher ceilings, were dimmed. Lit candles, brightly colored orbs, and the flash of cameras served as the main sources of light. The Penn Met Gala was a night to remember.
(05/19/23 5:00am)
It may be hackneyed to say this, but college really does go by in a blink of an eye. One minute you’re shading your eyes on your New Student Orientation campus tour in 95 degree heat, maybe a little hungover. Four years go by and the next moment you’re scrolling through Indeed job listings in your first apartment. One thing is certain—grappling with adulthood is hard.
(04/19/23 12:00pm)
With the Madness that was March, I was reminded of a few of my favorite basketball movies. Basketball can be really fun to watch but its entertainment isn’t always guaranteed. A basketball movie, on the other hand, is essentially required to be entertaining. In terms of sports movies, you're bound to find a simple thrill anywhere you look within the genre, but I would argue that the basketball movie has the most to offer out of the bunch. There’s more than your average biopic or family–oriented redemption story, and even when the basketball movies employ those common conventions, they can still often prove to be novel or meaningful in some way. With that in mind, here are some basketball movies are either culturally significant or grossly overlooked in the popular conversation.
(04/12/23 7:00am)
“Run. Run!” shouts Anna Torv’s Tess in episode 2 of The Last of Us. Ellie (Bella Ramsey) scrambles away, army—crawling out of the path of a rampaging, fungus—mottled zombie. She hides, waits for Joel (Pedro Pascal), and breathes shakily. And the second the two of them make a noise, the zombie comes at them again. Its face was clearly once human, but is now overrun by a fan–like pattern of mushrooms. Its colors, albeit muted in the dim light, are a fantastic mix of blues, oranges, and beiges, all toeing the line between believable naturalness and the disturbing unnaturalness of the undead. Its fungal gills, though made of liquid silicone or rubber, look like they grew deep in a haunted forest. If it wasn’t so terrifying, it would almost be beautiful.
