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34th Street Magazine

Rock musings

From the time I left campus last spring until June 14, I had Radiohead on my mind. Mine was an obsession that verged on downright mania, transforming my usually tepid opinions into axioms and outright platitudes.


34th Street Magazine

Stroke This

Teenagers filled the Electric Factory on Sunday, April 23 to see a band that hipsters would say is so out they might even be considered pastiche.


34th Street Magazine

Five Bands Team Up To Fight Suicide

In 2001, Louis Posen thought up the Take Action! Tour, rounded up some punk rock bands, and sent them across the country to promote suicide prevention.


34th Street Magazine

Artist to Watch

After opening for indie rock sensations the Arcade Fire and Clap Your Hands Say Yeah, it was only a matter of time before the Atlanta-via-Athens, Georgia group Snowden got picked up by a prominent independent label.


34th Street Magazine

Easy living the hard way

Aw, it must be so hard for pop stars when they become successful. Today, camera phones and weblogs smudge the line between fan and critic, between celebrity and citizen.


34th Street Magazine

The Philly Music Scene

New York's gone totally yuppie and Los Angeles was never that hip anyway, so what's the independent music scene to do?


34th Street Magazine

Kicking it up a notch

Considering the recent success of Brooklyn-based indie rockers the French Kicks, it's hard to believe that only a few years back they were playing a gig to drunk kids at an unnamed Philly frat house.


34th Street Magazine

Flying Coach

In the wake of Ashlee Simpson's lip-synch debacle on SNL nearly two years ago, Kelefa Sanneh wrote a diatribe against its most strident critics in The New York Times. "The Rap Against Rockism" asked "Could it really be a coincidence that rockist complaints often pit straight white men against the rest of the world?" (A rockist, of course, being a subscriber to the creed of authenticity and a strict guitars-drums-bass worldview.) In other words, is "alternative rock," in all its monikers, yet another white boys' club defined by its own exclusivity? Coachella, a documentary on the six-year-old Indio, California music festival of the same name, incessantly begs such questions by refusing to play to its strengths.


34th Street Magazine

It's Gettin' Heavy

Much of the hype surrounding the Flaming Lips' long-in-the-works 12th album jumped on frontman Wayne Coyne's murmurs about "more guitars." The Oklahoma City veterans' last two albums, 1999's brilliant The Soft Bulletin and 2002's kinda brilliant Yoshimi Battles The Pink Robots, eschewed the band's tattered punk threads for heady, orchestrated prog.


34th Street Magazine

Philly's main men

Who: Philadelphia's own Man Man Genre: Experimental melodic mayhem Sounds like: If Frank Zappa and Tom Waits had a child out of wedlock Songs to download: "10 lb.


34th Street Magazine

Starring a Band with an Asterisk

Their music has been dubbed new-wave, pop-punk and various combinations thereof, but stellastarr* just likes to call it "rock." Between watching soft-core porns and touring to promote their album, Harmonies for the Haunted, stellastarr*'s pretty busy these days. Street: How would you define your music?


34th Street Magazine

Putting the Woo Back into Wu-tang

Real thugs never die. Unfortunately, they also have trouble staying creative. Ghostface Killah's newest album, Fishscale, is yet another record to emerge from Wu-Tang's prolific machinery.


34th Street Magazine

MTV BMOC

Dov Kogen began singing and writing songs at the ripe age of three, when he took the tune of Jewish hymn "Adon Olam" and set it to the one-word lyric "guitar." "I didn't actually play guitar back then," the psychology major and music minor says, "so I sort of strummed my aunt's 30-year-old classical guitar," which he would actually learn to play in the fourth grade.


34th Street Magazine

O welcome back, karen O

With the wild success of the Yeah Yeah Yeahs's debut album Fever to Tell, the musical trio from New York set a remarkably high standard for itself.





34th Street Magazine

Turn the stereo up

Since their 1991 debut, Stereolab has functioned as one of the most influential -- if under the radar -- bands of the pseudo-pop electronica circuit.