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Playlists






This Halloween, Don't Dress Up As These Cliches

1. Lingerie + Animal Ears  As tempting as it is to spend your whole night quoting Karen Smith’s iconic phrase, “I’m a mouse, duh,” it’s probably time to upgrade the costume you’ve been wearing since “Mean Girls” came out.



Trailer of the Week: The Canyons

The trailer for Paul Schrader’s neon–lit, lusty and dusty desert melodrama “The Canyons” communicates passion and danger in 21st century Los Angeles and an ancestral history in Hollywood pulp. What We Love:  The dialogue–free trailer boasts granular, sepia–tinted cinematography and the score of a 1940s horror flick.


Album Review: Taylor Swift - "Red"

With the release of her pensive new album, “Red,” Taylor Swift  shows off a more mature version of herself.  The record's only anti–boy rant is the cutely cranky “We Are Never Ever Getting Back Together.” Everything else — such as the dubstep–esque “I Knew You Were Trouble,” and “The Last Time,” a surging duet with Snow Patrol’s Gary Lightbody — is adult.  Both “22” and “Starlight” are about the timelessness of youth.  The perky “Stay Stay Stay” mentions groceries and settling down.  And “Everything Has Changed,” a raw duet with Ed Sheerhan, is a graduation into the indie coffeehouse jams of the thoughtful twentysomething.  She’s still wholesome, lively, and genuine, but she’s older — and she’s seeing anything but red. 3/5 Stars


Concert Recap: Mayer Hawthorne and Cheers Elephant

In previous years, SPEC has brought indie rock groups to campus for its annual Fall Concert, but this year they decided to switch things up with neo–soul singer and all–in–all classy dude, Mayer Hawthorne. When Cheers Elephant, the local opening act, stepped onstage, audience members stayed cool and composed in their seats, waiting for the music to start as if waiting for a movie to play.




Review: “Simon Killer”

Despite a promising name and a promising director at the helm, Simon Killer fails to really deliver anything to its audience.