Editor's Picks

New Releases:

Young @ Heart: Centegenarians croon without (apparent) fear of keeling over. John McCain, take note.

The Singing Revolution: Estonians sing their way to ending Soviet rule. A tale to inspire every disgruntled nation group.

Planet B-Boy: Breakdancing finally becomes legit enough to document; white Zoolander-enthusiasts rejoice.

Oldies but Goodies:

Waitress: Felicity-turned-baker achieves dreams of opening a pie shop. Jewish grandparents lament dinner's late start time of 5:45 p.m.

That Thing You Do: Beatles wannabes, only cuter.

Grease 2: This is probably one of the worst movies of all time. That said, we can't get enough of Michelle Pfeiffer and some Australian dude delivering their songs with such fake enthusiasm.

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‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Beauty, Blood, and Blockbusters

Paul Feig adapts Freida McFaddenu's The Housemaid into a spectacle; one with just a little more shock value.

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.