Arts & Entertainment
Best of Penn, Visualized II
David Comberg's FNAR-337 Takes On the Best of Penn
DIY: Origami Shirt
It’s not quite wearable art, but this craft will be sure to get some smiles from your friends (and it makes for a nifty bookmark). What you’ll need: 1.
Best of Penn, Visualized
David Comberg's FNAR-337 Takes On the Best of Penn
Blossoming this Spring
Don’t miss the Cherry Blossom Festival in Fairmount Park this Sunday.
Feeling Small
With his striking photography, Penn grad Tetsugo Hyakutake humbles humanity in the face of its own colossal creations.
BEST OF PENN: MUSIC EDITION
Best Introduction to a Feature in the Music Section In the spirit of this issue, we've compiled a list of the memorable music happenings so far this year, from Penn to the the wider world. Read on for our picks: Best Acoustic Song So Far This Year “Pictures” by Benjamin Francis Leftwich “Pictures” has it all — soothing, multi–tracked vocals, a dreamlike aesthetic and calming guitar work.
Musical Notes: Fuck Censorship
It can be heard blasting at frat parties, blaring at bars and pumping from dorm room windows.
Best of CineFest
Like a phoenix risen from the ashes, the Philadelphia CineFest is back, opening tonight and running through next Thursday.
Interview: Saoirse Ronan
Street spoke with the 16–year–old star of Hanna about playing an action hero.
Dispatches from LCD Soundsystem's MSG Finale
To tell the truth, this is the last time.
Review: Miral
Overwrought political commentary weighs down a soaring cast.
Review: Source Code
Somebody save Jake Gyllenhaal from his agent.
Welcome to Quakerwood
Though West Philadelphia is hardly Hollywood, Penn hosts a thriving student film scene. Just look no further than this year’s iteration of the College Houses Film Festival, held March 21–24.
Review: Win Win
Superb script and cast make for a stellar comedy.
XOXO, WILLIAM EARLE
Exposing the ‘awkward’ human truth under the mask of elitist culture.
Not Just In The Background
The release of Submarine, a teen angst dramedy, and its soundtrack (written by the Arctic Monkeys’ Alex Turner) got us thinking about how soundtracks can interact with movies, and how some soundtracks can even stand alone, outlasting the films themselves.
