Arts & Entertainment
Review: For Colored Girls
Tyler Perry’s latest film, based on Ntozake Shange's award–winning play For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, follows the trials and tribulations of several black women, played by big names like Janet Jackson, Whoopi Goldberg and Oprah!
Review: Due Date
It takes a lot to make a movie starring Zach Galifianakis and Robert Downey Jr. anything less than extraordinary, but somehow Due Date manages to do this with surprising ease.
Review: "The Fool," Warpaint
With haunting melodies and hypnotic guitar riffs the women of Warpaint bring a sexy spookiness to their particular brand of art rock.
One Track Mind: "Get Some", Lykke Li
Given that her last single was a moody contribution to the Twilight soundtrack, Lykke Li’s latest — the aptly titled “Get Some” — is nothing if not a breath of fresh air.
One Track Mind: "Crime Pays", Bear Hands
If you’re at all nostalgic for Oracular Spectacular, MGMT’s crazy electro–funk debut album, then you’ve received an awesome, neon–wrapped gift in the form of Bear Hands.
REVIEW: Avey Tare, Down There
On the cover of Avey Tare’s first solo effort is a crocodile skull, rippling with sharp green details that vaguely resemble a sort of digital swamp grass.
His Twisted, Awful Fantasy
Here at Street, we rejoice in reaping the rewards of artistic ambition. Sometimes those rewards are a bit, well, hard to figure out.
Recap Of The Philly Film Fest
Instead of doing schoolwork, Street Film spent much of last week obsessively attending Philadelphia Film Festival screenings.
Deja Vu: The Rules Of Drug Labs
This past Saturday saw the discovery of a drug lab in a freshman dorm at Georgetown. The whole story had “perfect scandal” written all over it: college kids at an elite school, making their own drugs from the comfort of their Twin XL–equipped room!
Puntal / Contrapuntal: Whippin' It With Willow
Willow Smith, progeny of Will and Jada Pinkett, has arrived on the music scene faster than we can say “heart–shaped weave.” The neon–hued video for her single “Whip My Hair” has been making the requisite rounds on the blogosphere, dividing music fans along the way.
Defibrillator: Ice Cube, "Down For Whatever," (1993)
To a 16–year–old, a pair of car keys is probably the most profound symbol of autonomy and freedom in the known world.
Review: Die Antwoord, $O$
In Die Antwoord, a South African rap group, pixie–voiced Yo–Landi Vi$$er sings like a perverse fairy while her co–conspirator Ninja curses like a pirate.
Venues N' Shit: The Tower Theater
The Tower Theatre, located at the corner of 69th and Ludlow streets, was constructed in 1927 as a movie house and vaudeville theater.
This Week in... 10.28.2010
Friday, Oct. 29 — Jedi Mind Tricks with Freeway and Reef the Lost Cause, The Trocadero, $20-22 Philly natives Jedi Mind Tricks aren’t nearly as nerdy as their name would imply.
Review: Mark Cohen's "Strange Evidence"
Nothing is strange about Mark Cohen’s Strange Evidence at the PMA. Rather, Cohen presents the ordinary and often mundane to the fraction of the PMA crowd that visits the Perelman Building: a lone newspaper, kids playing, old women bundled in scarves in both black and white and color photographs.
One Track Mind: My Chemical Romance, The Only Hope For Me Is You
Even if they vehemently deny it, the oft–costumed, mascara–wearing lads of My Chemical Romance have become the essence of all things “emo.” Their 2006 mega–hit concept album, The Black Parade, gave voice to a disgruntled sect of disaffected teenage suburbanites.
Venues N' Shit: First Unitarian Church
Release your inner awkward teen in First Unitarian Church’s basement. There’s nothing like the basement of First Unitarian Church to send you back to the days of awkward school dances.
Review: Belle And Sebastien
Belle & Sebastian forgo the lyricism, focus on the instrumentation on their latest. There was a time, back in 1996 or 1997, when the hi–fi grandiosity of Belle & Sebastian’s Write About Love would have seemed ridiculous to the band’s growing fan base.
Review: Kings Of Leon, Come Around Sundown
Southern rockers pursue a chiller state on their fifth record. It was hard to imagine what Kings of Leon would produce as a follow up to 2008’s Only by the Night. The album was a vastly successful yet drastic break from their former Southern Rock aesthetic that garnered them multitudes of awards and new fans.
