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34th Street Magazine

Taking Names

Looks like bank failure isn't the only thing to worry about in the financial world. In The International, one of the world's most successful banks gets its dough from the small arms trade, prompting Interpol agent Clive Owen, doing his normal shtick as the rugged, intense hero, and Manhattan ADA Naomi Watts, foregoing her natural Aussie accent, to go after the bad guys (do the filmmakers really expect us to think that forces from completely different jurisdictions would work so well together?). Thankfully, for the first time in recent movie history, our two leads do not hook up, but they do kick some serious ass.


34th Street Magazine

Class is in Session

The critical darling of last year’s Cannes Film Festival, The Class snuck in under the radar and screened on the last night of the competition, surprising many and deservedly taking home the illustrious Palme d’Or.


34th Street Magazine

Defibrillator: Charade (1963)

Director Stanley Donen is remembered, when he’s remembered, for films like Singing in the Rain and Arabesque, big-budget musicals designed to be instantaneous crowd pleasers.


34th Street Magazine

The Pros and Con-fessions

A recent headline from The New York Times read: "Stocks Slide as New Bailout Disappoints." Okay, so the economy is at an all-time low.


34th Street Magazine

Preview: Human Rights Film Festival

It’s tough to think of people other than your love du jour over Valentine's Day. But if you prefer the Peace Corp to petunias, check out this week’s selections from the Human Rights Watch Film Festival.


34th Street Magazine

Not So Pretty in Pink

We've all heard the adage “if you don't have anything nice to say, don’t say anything at all.” So instead of bashing The Pink Panther 2, a film whose very existence should make one question the sanity of movie execs (no one liked the first one, guys), I'm going to try to extol its few-and-far-between merits.


34th Street Magazine

It's Business Time

The film adaptation of Greg Behrendt and Liz Tuccillo’s bestselling book attempts to be a treasure trove of relationship wisdom, but the title, He’s Just Not That Into You, is really the only advice it provides.


34th Street Magazine

Guilty Pleasures: She's the Man (2006)

Shakespeare + the two Step Up boys + some sick soccer skills = pure joy. Starring Amanda Bynes as a cross-dressing, soccer-loving teenager, it also features Channing Tatum and Robert Hoffman, both of Step Up fame.


34th Street Magazine

The Big Push

January movies are generally amusing films that tend to lack-in content. Push, a January movie released in February, is entertaining but not worth 10 economically devalued U.S.


34th Street Magazine

Actors I Thought I Wanted to Marry

Going to a movie is much like going on JDate. We scope out the leading men, assess their talents and qualifications and ultimately decide whether they’d function as good first husbands.


34th Street Magazine

Ciao Baby

Street: Tell me about how Ciao came into being. Yen Tan: The idea came about because [actor] Alessandro [Calza] wrote me an email in 2003 to tell me how much he loved my first film, Happy Birthday, and then we just started corresponding.


34th Street Magazine

Thankfully Uninvited

It’s that time of the year again, when studios seem to empty out their trashcans onto multiplexes around the country.


34th Street Magazine

So Long, Farewell...

The premise of Ciao — a film in which two strangers from different parts of the world develop a deep, unexpected friendship — could have led to a laughably bad movie.





34th Street Magazine

It’s Not Too Late. We promise.

THE BEST The Wrestler Mickey Rourke’s heartbreaking Golden Globe speech — in which he thanked his dogs for being the only ones who were there for him during his long slump — is bupkus compared to his astounding performance as a wrestler forced to retire and cope with his own insignificance.


34th Street Magazine

James Bond Defies the Nazis

It is a sad fact that Holocaust movies — once considered shocking for their raw portrayals of the horrors perpetrated by the Nazis — have become predictable.