Film & TV
Who are the Oscars for?
From smear campaigns to cult parody accounts, this year’s Oscars are more populist than ever.
'Babygirl' Isn’t Actually a Girlboss Fantasy
What happens when a woman makes a terrible decision just because she wants to?
Steven Soderbergh Refuses to be Boring
As most directors of his generation are slowing down, Soderbergh continues to be one of the most interesting people in Hollywood.
‘Severance’ Episode Six: Conquerors and Consequences
Over halfway into the season, triangles become squares, and two become one.
Up With ‘Down With Love’
What an underappreciated 20–year–old rom–com has to say about love, feminism, and mag writing.
There Never Was, Nor Will Be, Another David Lynch
Cinema lost one of its signature artistic voices.
This Week on 'Severance'
Season Two of this Apple TV corporate thriller has me seeing double. Here's an ongoing recap to keep all the data in its proper boxes, updated every week.
Street Predicts the Oscars
The film connoisseurs of Street discuss nomination controversies, snubs, and favorites ahead of the award ceremony.
‘Severance’ Episode Five: A Trojan’s Horse, an Ominous Whistle
‘Severance’ Episode Five: A Trojan’s Horse, an Ominous Whistle
‘Severance’ Episode Four: The Protestant Work Ethic
In 'Woe's Hollow,' the innies try touching grass and find they don’t like how it feels.
'Severance' Episode Two: ‘Who is Alive?’ And Who is on the Severed Floor?
Episode three of the second season of ‘Severance’ introduces new variables and questions about identity.
'Severance' Episode Two: 'Goodbye, Mrs. Selvig' and Hello, The Rest of The Outies
The second episode of Severance’s second season provides a few crucial answers and asks a few gripping questions.
‘Severance’ Season Two Recap, Episode One: Welcome back to Hell…y?
The second season of the hit TV show is off to a gut–roiling start.
‘The Batman’ Meets ‘The Godfather’
How HBO’s The Penguin bends genre to create something new.
‘I'm Still Here’ Explores When Personal Loss Becomes Political
The Oscar–nominated Brazilian film is a gripping portrayal of loss, resilience, and the fight for justice.
‘The Apprentice’ Isn’t About President Donald Trump
From biopics to fictionalized political dramas, the ethics of politics–as–entertainment are murky waters—and this Trump picture’s politics are far from clear.
Street's Favorite Film & TV of 2024
From sex–worker–centric rom–com fake–outs, to animated tearjerkers for kids, to a peek into what life is like for Whartonites post–Penn, here's what Street has been watching this year.
Jewish Identity in 'The Brutalist' and 'A Real Pain'
At the 33rd Philadelphia Film Festival, Brady Corbet and Jesse Eisenberg bring their approaches to age old questions.
‘Woman of the Hour’ Brings New Appreciation for Psychological Thrillers
From novel reading to Netflix’s “New on Netflix” section, psychological thrillers have quickly become a staple horror movie genre.
