Film & TV
'Severance' Episode Two: ‘Who is Alive?’ And Who is on the Severed Floor?
Episode three of the second season of ‘Severance’ introduces new variables and questions about identity.
'Severance' Episode Two: 'Goodbye, Mrs. Selvig' and Hello, The Rest of The Outies
The second episode of Severance’s second season provides a few crucial answers and asks a few gripping questions.
‘Severance’ Season Two Recap, Episode One: Welcome back to Hell…y?
The second season of the hit TV show is off to a gut–roiling start.
‘The Batman’ Meets ‘The Godfather’
How HBO’s The Penguin bends genre to create something new.
‘I'm Still Here’ Explores When Personal Loss Becomes Political
The Oscar–nominated Brazilian film is a gripping portrayal of loss, resilience, and the fight for justice.
‘The Apprentice’ Isn’t About President Donald Trump
From biopics to fictionalized political dramas, the ethics of politics–as–entertainment are murky waters—and this Trump picture’s politics are far from clear.
Street's Favorite Film & TV of 2024
From sex–worker–centric rom–com fake–outs, to animated tearjerkers for kids, to a peek into what life is like for Whartonites post–Penn, here's what Street has been watching this year.
Jewish Identity in 'The Brutalist' and 'A Real Pain'
At the 33rd Philadelphia Film Festival, Brady Corbet and Jesse Eisenberg bring their approaches to age old questions.
‘Woman of the Hour’ Brings New Appreciation for Psychological Thrillers
From novel reading to Netflix’s “New on Netflix” section, psychological thrillers have quickly become a staple horror movie genre.
Between God and the Abyss: Korean Horror’s Dance with Faith and Madness
What happens when faith fails, vengeance becomes god, and the monsters aren’t in the shadows but in the mirror?
‘Veronica Mars’ Did Feminine Rage Before it was Cool
Celebrating twenty years of TV’s best not–so–bubbly blonde.
Why is Ridley Scott Getting Ignored Again?
Just once, I would like to see the legendary director get properly appreciated in his time.
I Cried When I Saw 'The Wild Robot' And You Will Too
DreamWorks? More like waterworks!
'Kingdom': The Living Dead and the Nation’s Death Rattle
In this Korean series, zombies devouring people is an allegory for how power can devour the very society it seeks to preserve.
A Love Letter to 'Wicked'
'Wicked' may just be the best movie musical to hit theaters… ever.
Culture, Community, and the Rise of the Global Right at the New York Film Festival
What the festival's picks had to say about identity in the face of isolation.
Between the Sheets and the Shackles at the 33rd Philadelphia Film Festival
Four movies' gritty look at how society controls sexuality in all the wrong ways.
‘Why Not You?’: Rob Sharenow at the Kelly Writers House
A reflection on Rob Sharenow’s talk at the Kelly Writers House about his ambiguous path to success in creative media.
Spending Seasons in Stars Hollow
Gilmore Girls is a fall show, says Penn. But why?
