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34th Street Magazine

Hear That Buzz?

Tyrannosaurus Hives is misleading after an inital spin. Compared to the garage band's second album, 2000's Veni Vidi Vicious, this album is cold and slick, very different from the raw Vicious, which had a basic live sound.


34th Street Magazine

Tipping The Scales

The Roots know they're on the cusp of entering the upper echelon of rap popularity. Forever championed by critics and underground hip-hop fans, the group has scored hits on their past two albums: "You Got Me" from 1999's Things Fall Apart and "The Seed (2.0)" from 2002's Phrenology. The Tipping Point means many things to the band, including that this album may very well decide if this band is accepted by the general hip-hop populace, or left to be appreciated by those who look hard enough for good hip-hop. Thus, it's rather ballsy that The Tipping Point's first single is "Don't Say Nuthin'," a track in which lead emcee Black Thought rips the bland hip-hop community that isn't saying anything.


34th Street Magazine

Heavy Lifting

The titles on Together We're Heavy, the second album from The Polyphonic Spree, are numbered from 11 to 20, continuing from the first ten sections of the band's debut, The Beginning Stages of... Despite the titling, however, things couldn't be more different on this sophomore effort. The Spree's debut was originally recorded as a demo, and didn't feature many of the current 21 group members.


34th Street Magazine

The Rising

There is one piece of advice that Dave Bielanko -- lead singer of Marah -- has for people who bash his band: "Whatever you wanna do is good with us.


34th Street Magazine

Back To The Streets

"What's Ramones?" Mike Skinner, the one-man act of The Streets, asks from his cell phone, en route to Utah.


34th Street Magazine

Pop Rocks

Former Weezer bassist Matt Sharp told Street last week that he didn't understand distorting guitars these days.


34th Street Magazine

He's Come Undone

Matt Sharp has been in the music business for over a decade, but with the release of his self-titled solo debut, he finds himself back where he started, when he was Weezer's falsetto-singing bassist. "There were no expectations for that Weezer record," Sharp explains.



34th Street Magazine

Keeping it Simple?

Once a near-popstar, jaded by his brush with "careerist music," Simple Kid is now a one-man act who writes and composes.


34th Street Magazine

Clearly Canadian

She's the same old Alanis. She's been a victim. She's been a bitch. She's gotten better. If there is a reason for So-Called Chaos, it's pain.


34th Street Magazine

Sign of the Cross

Despite the too-easy, self-deprecating title, David Cross' latest comedy CD -- It's Not Funny -- is a hilarious, diverse look at his life, at politics, and at the world.


34th Street Magazine

Albums

Aerosmith Honkin' on Bobo 2 stars On Aerosmith's new album Honkin' on Bobo, the five rockers take a positive new step -- the album doesn't sound exactly like the band's last few.


34th Street Magazine

Not artsy fartsy

Cursive is sick of hearing about Omaha. "It's kind of hard to have any feeling if you read press that mentions Omaha.


34th Street Magazine

Cutting-Edge Traditionalism

The shape-shifting world of entertainment requires new musicians to bend borders and break with stale conventions.


34th Street Magazine

Editor's picks

Tami Fertig Gary Jules Mad World Nothing quite nurses a broken heart like a sad piano song.


34th Street Magazine

A 90 Day Case Study

Looking at the 90 Day Men's fourth and latest album, Panda Park, you develop a fascination with the overtly psychedelic cover art.


34th Street Magazine

Albums

Michael McDermott Ashes For all the Jersey folk out there, there's been a change in tides.


34th Street Magazine

Editors' picks

Tami Fertig: Arab Strap Cherubs Imagine this: a sweet and simple guitar melody floating lazily atop the slow and steady beat of a drum machine -- over and over and over again.


34th Street Magazine

Coheed my call and listen to this band

Coheed and Cambria is "progressive rock, definitely not run-of-the-mill." Occasionally lumped into emo, or emo-core, the group's rock stylings are comparable to those of close friends and frequent tourmates, Thursday and Thrice.