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Review



GRAVITY

Review: "Gravity"

The opening credits of “Gravity” cautiously signal its central premise, that life is impossible in space.




RUSH

Review: "Rush"

“Rush,” Ron Howard’s gripping drama, recounts the true story of a near–deadly rivalry in the world of Formula 1 racing.





Review: "Don Jon"

Joseph Gordon–Levitt’s first (and, hopefully, not last) time writing, directing and starring in a feature is the story of Jon Martello (Gordon–Levitt), a materialistic partier whose obsession with internet porn has taken a toll on his sex life.



Review: Selena Gomez—"Stars Dance"

Unless you’re a diehard Selena Gomez fan, there’s really no reason why you should listen to her new album, “Stars Dance.” In a summer with some serious female pop starpower (see: Icona Pop, Marina and the Diamonds), this subpar album is an especially resounding dud.




David Bowie—“The Next Day”

David Bowie’s  “The Next Day” has proven problematic to discuss. With so much esteem for the album floating around already, the words do not come easily.




Review: "Broken City"

"Broken City" Directed by: Allen Hughes Starring: Mark Wahlberg, Russel Crowe Rating: R Run Time: 109 min. “Broken City” boasts a number of twists and turns, but can’t escape the predictability that comes with the crime thriller genre.



Ra Ra Riot — "Beta Love"

While Ra Ra Riot’s first two albums were decidedly baroque, its upcoming album, “Beta Love,” takes a sharp turn into the realm of the synth, à la musicians like Passion Pit and Miike Snow.