Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Film & TV

So Much For Sisterhood

Cat fights, date rape drugs and nudity. At the state school to end all state schools, the Theta Pi sisters sure know how to bring the drama.

After a silly prank ends in a girl’s death, the sorority queen bee (Leah Pipes) convinces her sisters to dump the body into an abandoned mine shaft. The girls keep their dirty little secret until graduation, but then all hell breaks loose when a cap and gown-clad killer goes on a campus rampage with a tire iron. The ensuing chaos can only be described as the bastard child of I Know What You Did Last Summer and Girls Gone Wild.

On the whole, the movie is quite predictable, even for those who have not seen Mark Rosman’s The House on Sorority Row, upon which the film was based. You have the good girl, the cold bitch, the nerd, the slut and the Asian thrown in for diversity. The plot, camera movement and music are all incredibly formulaic; you even know exactly when to close your eyes.

Sorority Row won’t give you a whole new perspective on life, but at least it doesn’t try to be provocative or deep. Once embraced as a typical slasher flick, the film can almost become entertaining, as it alternates between bitchiness and cheesiness.

To quote the house mother (Carrie Fisher) when she talks to the killer, “Don’t think I’m afraid of you. I run a house with 50 crazy bitches.”

1 star

directed by Stewart Hendler, 101 min, rated R


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.