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Walden Green


Japanese Breakfast’s “Jubilee” is About so Much More Than Joy

With her third record, Michelle Zauner claims her rightful place at the forefront of modern indie rock.

Saturday Night Live's Season Finale is an Ode to its Messiest Moments

The show’s 46th season finale felt like a goodbye to a chaotic season and the pandemic that caused it.

The Many Faces of Onika Tanya Maraj

To celebrate the re–release of ‘Beam Me Up Scotty,’ we're rounding up Nicki Minaj’s most underrated tracks.

Lose Yourself in Spirit of the Beehive’s 'ENTERTAINMENT, DEATH'

The Philly band's consistently unpredictable new record is part acid trip, part nostalgia trip.

Basside’s New EP is a Fitting Tribute to the Late SOPHIE

‘FUCK IT UP’ reminds us how unbridled, carefree, and raunchy the producer’s music could be.

Renée Reed’s Self–Titled Album is Haunted by Heritage

On her debut full–length album, the Louisian–based singer–songwriter doesn’t give up her secrets so easily.

Lana Del Rey Grasps at Authenticity on ‘Chemtrails Over the Country Club’

On the singer’s insular seventh album, some experiments turn out better than others.

Post–Rock & Post–Punk in a Post–‘Spiderland’ World

Examining the lingering paranoia of the Slint album that carved out rock music, thirty years ago. 

Stay–at–Home on the Range

Why country music about travel is the perfect balm for a time when we are stuck in place.

Smerz’s ‘Believer’ is an Elegant Puzzle Box of Classical and Club

On their first full–length release, the duo expands their sonic palette while remaining their playful selves.

Black Dresses Are Relentlessly Hopeful on ‘Forever In Your Heart’

Last year, the band broke up. Now, they’ve just put out the best work of their career.

When Do We Give Up On Delayed Albums?

Lorde, Rihanna, and Chromatics have all been set to release new music ... for a while.
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