Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Film & TV

Lie to me

Set in an alternate reality in which the human race is not able to lie, The Invention of Lying is British master comedian Ricky Gervais's first foray into directing.

He creates a cinematic world whose blunt inhabitants constantly remind his protagonist, Mark Bellison, that he is a “chubby little loser.” This brutal honesty manifests itself in other ways, too; nursing homes are referred to as places “where old, lonely people live.” Mark is in a rut, jobless and struggling with romance, as the woman that he loves, Anna (Jennifer Garner), does not find him a suitable genetic match. Suddenly, he uncovers the ability to lie and instantly changes not only his own life but also the world around him. One of his lies, however, spirals out of control, and the people around him demand an explanation for this world of truth, forcing Mark into his toughest challenge yet.

Despite this elaborate backdrop, at its core, the film is a romantic comedy; Mark works to seduce Anna amidst all of the chaos in his life. Don’t be discouraged by the foreseeable Hollywood sappiness, however, because it’s also laugh-out-loud funny.

The Invention of Lying may not be perfect, but it’s refreshingly original, and watching a host of megawatt stars, including the always fantastic Tina Fey, conquer smaller roles makes this a lie worth spreading.


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.