Skip to Content, Navigation, or Footer.
34th Street Magazine - Return Home

Film & TV

Philly Film Festival Review: “Cheap Thrills”

If you’re interested in seeing tons of fake blood on a day that’s not Halloween, you should check out “Cheap Thrills.” For anyone else, this film is simply not worth it.

Craig (Pat Healy) is a new father who is down on his luck. He wakes up to find a final eviction notice on his door and then gets fired later that day. He runs into his old friend, Vince (Ethan Embry) at a bar, where the pair meets a couple willing to pay them to do crazy stunts. David Koechner (Champ from “Anchorman”) gives a good performance, while his on-screen wife, Sara Paxton, played a more realistic and relatable character when she was the mermaid in “Aquamarine.”

This dark comedy certainly has some funny lines here and there, but it is not enough to make up for the horribly disgusting scenes. The tasks that Vince and Craig are paid to do keep getting bigger and more dramatic, but there’s nothing particularly clever or witty about them—everything is mere shock value. The situation is humorous, but not enough to support eighty-five minutes of content.

There’s no doubt that times are tough and people will do anything for money—but do we really need a movie to tell us that?

Grade: D Runtime: 85 minutes See if you liked: “American Psycho”


More like this
ironlungdom.png
Review

‘Iron Lung’ and the Rise of the YouTuber Film

Iron Lung shows how a creator with a large online audience turned a low budget game adaptation into strong box office revenue through fan driven promotion and social reach. YouTube creators build direct audience ties, run production pipelines, and mobilize viewers to support projects across media platforms. The film’s performance signals a shift where online personalities compete with studio backed releases through community scale and digital marketing power.

Wicked Duology
Film & TV

‘Wicked: For Good’ is for the Theatre Kids

Wicked: For Good closes its story without awards recognition but with clear creative conviction. The film’s reception reflects a mismatch between its intentions and critical expectations. Designed as the second half of a continuous narrative, it prioritizes character depth and long-term emotional payoff over accessibility. In doing so, For Good succeeds less as a crowd-pleaser and more as a film made for those already invested in the world of Wicked.