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(10/23/23 4:00am)
When you hear “Frida Kahlo,” you picture her dark hair tied up with flowers, her skin a light brown, cheeks rosy, eyebrows full, eyes disinterested, and lips gently pursed, all adorned in a feminine Tehuana outfit. This is the image of Frida Kahlo that you see on tote bags, T–shirts, mugs, and magnets that the culture industry sells. From Frida Kahlo immersive experiences to “feminist” Frida Kahlo apparel, you can experience Kahlo’s likeness everywhere for a price. But this isn’t the Frida Kahlo that the artist revealed to us on canvas.
(11/07/23 10:52pm)
Cookbooks and Convos is all in its alliterative name: It's a month–long docket of events that took place in the last month and celebrated food writers, chefs, and so much more around dining tables across Philadelphia.
(10/09/23 12:00pm)
In the basement bar of a theater in SoHo, Manhattan, on the third Saturday this September, sits an audience of 20. Or just about that many. In the dim purple glow of kitschy wall sconces and dying track lights, they sip vodka tonics and beer.
(10/06/23 12:00am)
What does it mean to be kosher? How can our family recipes enter mainstream culinary canon? How much is a yahrzeit glass? Heck, what does it mean to be a Jew today?
(10/19/23 4:00pm)
The desire to stay relevant in our dynamic society is at the forefront of almost everyone’s mind, both personally and professionally. We are constantly re–inventing ourselves, looking to bring in “fresh blood” to stay current. In the art market, artists emerge rapidly. There’s always something new and interesting to be seen. So, how can it be that Gagosian, the largest and most well–regarded art gallery, is exhibiting deceased artist’s work at five of their 19 gallery spaces? Why does it keep trying to sell us something we’ve already seen before?
(09/29/23 11:00am)
Take a look at any bookshelf in a public library, think back to what you read at school, and look at a list of award–winning writers. How many books written by women do you see?
(09/21/23 9:35pm)
I grew up in a household where threads and crochet needles were omnipresent—nestled in the creases of the sofa, strewn across the kitchen table, and even making their way into the bedrooms. My mother is a natural crocheter. Over the years, I've carried her crochet legacy with me, even during my time at Penn. Her work has served multiple purposes in my life, from bikini tops on family vacations to protective crochet Kindle cases and cozy rugs for my dorm.
(08/07/23 4:08am)
It all began with picking my little sister up from a museum camp. Part of the privileges of being home for the summer is the duty of providing the rides necessary in my public transportation–less hometown of Houston. While waiting for my passenger, I meandered through the halls to find the museum's latest art exhibition: Artists on Site. After tugging on the locked door (and double checking that it wasn’t actually a “pull”), I began to walk away when a young woman in her twenties unlocked the door to let me in.
(07/21/23 5:00am)
Whenever I’m in my hometown, I can’t help but indulge my curiosity and walk into the Centro Cultural Banco do Brasil (CCBB) to explore their newest art exhibition. The historic building is centered in one of the most beautiful places in my city, Belo Horizonte. With its pastel yellow paint and dazzling Greek–style pillars, the tower attracts tourists from all over the country. Throughout the years, the CCBB has become my second home—I know the location of every single bathroom, where every staircase leads, and have taken dozens of pictures on the multicolored glass mural.
(07/21/23 12:56pm)
My life lives on Google Calendar. Each hour of my life is carefully measured and categorized in beautiful color–coded blocks that account for everything from my class schedule to lunches with friends to “Rotting in Van Pelt.” During the school year, I would play a solo game of Jenga on Sunday night, attempting to figure out how to fit everything on my to–do list into the 168 hours I had in a week. In some ways, my Google Calendar is a diary of my existence, a catalogue of how I spend my waking days—or at least intend to, considering the plethora of 6 a.m. runs scattered throughout my calendar that I've definitely slept through.
(07/14/23 5:00am)
As historians Alvin and Heidi Toeffler first posited—and my middle school history teacher eventually taught me—there have only been three great changes in all of human civilization. The first came around 12,000 years ago, as humans moved from hunter–gatherers to farmers, allowing permanent settlements and trade specialization. The second occurred around 200 years ago, as the steam engine began the Industrial Age, with urbanization, factory life, and ultimately, electricity. And the third change—in whose shadow we currently live—was computing. Once the personal computer was popularized in the mid-1980s, the Information Age could begin, allowing for global communication and instantaneous dissemination of information.
(07/07/23 5:00am)
BASEL, Switzerland—What are the telltale signs that someone’s made it? Is it inscribed in the way they dress, their choice of silk scarf, or seasonal handbag? Or if wealth truly whispers, it might be in the way a person carries herself—head high, shoulders low, unperturbed calm. It might be something else entirely, some mixture of pedigree and learned etiquette. But when I found myself shoulder to shoulder with the world’s most well–heeled art collectors, there was another question on my mind: Can you fake it?
(07/07/23 5:00am)
Inside a building full of art galleries and artists’ studios in the northern edge of Chinatown is Iffy Books, a small independent bookstore filled with all things “hacking, free culture, gardening, zines.” While they may seem unrelated, this tagline summarizes the many passions of founder and Penn alum, Steve McLaughlin (C ‘08).
(06/30/23 2:22pm)
The 76th Tony Awards, which took place on Sunday, June 11, went a bit non–traditional this year. Beyond simply taking place for the first time in the United Palace in Washington Heights, the awards ceremony was aired entirely unscripted. Despite the lack of script, the show went smoothly, with historic wins for transgender performers and awards that confirmed that audiences are thirsty for original material.
(07/28/23 7:56pm)
Walking into Art Enables, a gallery and community arts program for people with disabilities in Washington, D.C., I was instantly greeted by friendly coordinators and the sight of artists perfecting pieces with paint brushes, markers, papers, and canvases.
(06/26/23 3:47pm)
In an era of feed scrolling and 60–second videos, no one has any abundance of time to read hundreds of pages in novels such as Victor Hugo’s famous Les Miserables or The Count of Monte Cristo by Alexandre Dumas. But that doesn’t mean that reading is mutually exclusive with our shortened attention spans of the modern age. What if you could read in–depth stories with multifaceted characters and plots in less than 100 pages?
(06/09/23 3:42pm)
Entering a dark room with a beige couch and small coffee table, I faced a large television with blue dots and specks of yellow moving across the top of the screen over a chorus of buzzes. I feel as though I’m standing in a living room, with a portrait of an older woman in one corner. On my left, the name and description of the exhibition: Terence Nance: Swarm. As I move through the exhibition, I see a variety of films highlighting a recurring theme of Black identity and I am surrounded by the production of art through sound and video.
(05/17/23 5:19am)
On visits to the Barnes Foundation, I usually have the same expectations in mind. I’ll see Renoir’s pale naked ladies, Degas’s French dancers, and piece after piece by other white Impressionists. I’ll take in every hazy, pastel–colored world, locked in gold frames, chosen by Dr. Barnes himself.
(04/24/23 4:00am)
I have read two of Carmen Maria Machado’s works: her memoir In the Dream House and a short story from her forthcoming collection, The Tour. Both times her words almost brought me to tears. It’s not explicitly the content of her works that causes the swell of tears in my eyes, though their storylines are certainly powerful in and of themselves.
(04/19/23 4:00am)
Butterflies, tigers, a pair of crying eyes, a blossoming branch—if you can imagine it, Iza Hu (C '23) can design and tattoo it.