Arts & Entertainment
Album Review: “Money Sucks, Friends Rule”—Dillon Francis
Contrapposto: Humans of New York (HONY)
Whether it’s on Facebook, Instagram, Twitter or all three, you probably see a Humans of New York (HONY) post every once in a while.
Philadelphia Film Festival Review: “Life Partners”
"Life Partners" is Leighton Meester and Adam Brody’s new film (spoiler alert: no, they don’t get together)
Philadelphia Film Festival Review: “Love, Rosie”
“Love, Rosie” starring Lily Collins and Sam Clafin is enjoyable, but forgettable.
Interview with Penn Alum Jimmy Goldblum, Producer and Director of “Tomorrow We Disappear”
Castle Recap: “Child’s Play”
I scream, you scream, we all scream when people kill ice cream vendors. (Aired on 10.20.2014)
Castle Recap: “Clear & Present Danger”
Married women don’t wear body glitter. (Aired 10.13.2014)
Parenthood Recap: “Too Big to Fail”
Three months later, Dylan still exists. (Aired 10.30.14)
Parenthood Recap: “The Scale of Affection is Fluid”
Crosby’s on a downward spiral, Max is in love, Amber’s dating and Joel and Julia are STILL married. (Aired 10.23.14)
Philadelphia Film Festival Review: “Charlie’s Country”
David Gulpilil's performance as a displaced, aboriginal Australian packs a punch.
The Affair Recap: "Episode 3"
A hospital visit, a town hall meeting and some feisty in–laws. (Aired on 10.26.2014)
Music Video Monday: “Don’t Wanna Fall In Love”—KYLE
Ventura, California rapper KYLE brings us the hilarious new video for his latest track “Don’t Wanna Fall In Love,” which samples the classic Jane Child song of the same name.
Scandal Recap: “An Innocent Man”
Jake vs. Olivia’s dad vs. Olivia vs. Fitz vs. Mellie vs. a Random Presidential Assassin (Aired on 10.30.2014)
Philadelphia Film Festival Review: “Goodbye to Language”
Jean–Luc Godard’s newest film confounds and excites.
Philly Film Festival Review: “Two Days, One Night”
This Belgian drama and Palme d’Or nominee hit the Philadelphia Film Festival last week.
Philadelphia Film Festival Review: “Art and Craft”
“Art and Craft” explores the chase between an art forger and museum registrars across the country, but leaves the audience wanting more.
Song Sonnets: "Forgive"—Porches
If e'er there were a man to make synth pop,Not Aaron Maine would I think it to be.Not lonesome crooning sputtered out atopThose cracked guitars, nor the angst of "Skinny Trees,"But catchy, tight, infectious vocal linesAnd synths and drums with such great energy,Arranged so well that, still, the vocals shineIn all their autotuned cacophony.With Greta Kline's refrains to punctuateThe shimm'ring morass of the instruments,It's lovely, simple to appreciate,And thoughtful, while remaining innocent.Iambic pentameter's really, really hard.So is lofty diction; something something avant-garde.
