Reviews
Netflix Pick of the Week: Liberal Arts
Liberal Arts, a 2012 indie film streaming on Netflix, portrays a college exactly the opposite of Penn's over-scheduled, over-worked, over-tired student body.
Dead Funny: Mask and Wig's A Comedy of Terrors
Last Saturday, I headed off campus to catch the Mask and Wig Show’s “A Comedy of Terrors.” Looking to switch up my Saturday night routine, I was keen to replace the drama of Greek life with, you know, actual drama.
Review: “Diplomatie (Diplomacy)”
Tensions are running high on the night of August 24th, 1944. The end of World War II is near, and General Dietrich von Choltitz (Niels Arestrup) has one goal: to destroy La Ville Lumière, Paris.
Review: “The Homesman”
Tommy Lee Jones and Hilary Swank lead us through a dramatic and twisted trail in “The Homesman,” directed by Jones.
Review: “No Cameras Allowed”
If you thought your friends who scored backstage passes to Tomorrowland were cool, think again. ““No Cameras Allowed” introduces you to James Marcus Haney, as he breaks into your favorite music festivals and lives to tell his story on camera.
Album Review: "Hope"—Manchester Orchestra
Some artists choose to write the same type of songs over and over again, but some, like Manchester Orchestra, choose to rebuild their songs from scratch.
Review: "Foxcatcher"
Channing Tatum and Steve Carell hit the mat in their new Olympic flick.
Review: “Horrible Bosses 2”
It’s not good, but it could’ve been worse.
Philadelphia Film Festival Review: “Love, Rosie”
“Love, Rosie” starring Lily Collins and Sam Clafin is enjoyable, but forgettable.
Philadelphia Film Festival Review: “Charlie’s Country”
David Gulpilil's performance as a displaced, aboriginal Australian packs a punch.
Philadelphia Film Festival Review: “Goodbye to Language”
Jean–Luc Godard’s newest film confounds and excites.
Philly Film Festival Review: “Two Days, One Night”
This Belgian drama and Palme d’Or nominee hit the Philadelphia Film Festival last week.
Philadelphia Film Festival Review: “Art and Craft”
“Art and Craft” explores the chase between an art forger and museum registrars across the country, but leaves the audience wanting more.
Philly Film Festival Review: “The Last Five Years”
Anna Kendrick stars in an honest new musical.
Review: "Pride"
Thirty years ago, the miners strike in England led to an unlikely alliance.
Review: “Stonehearst Asylum”
Yep—it's as bad as it sounds.
Review: “St. Vincent”
Bill Murray, Naomi Watts and Melissa McCarthy star in this pretty enjoyable new comedy.
