Philadelphia’s First Responders Are Always On the Move
It's 12 p.m., and lecture has just begun. Your hand moves to your mouth to stifle a yawn, and as you feel your eyes begin to close …
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It's 12 p.m., and lecture has just begun. Your hand moves to your mouth to stifle a yawn, and as you feel your eyes begin to close …
Fiona Herzog: The Zone of Interest by writer–director Jonathan Glazer deprives all that the audience expects to see in a film about Auschwitz. Instead, it delivers chilling implications on the role of guilt, responsibility, and ignorance when making decisions.
You can tell how admired someone's work is by how their academic peers celebrate their triumphs. At his winter book launch, it was clear that André Dombrowski is certainly well-recognized by fellow Art History scholars. After History of Art Department's celebration of Professor André Dombrowski's new book Monet’s Minutes: Impressionism and the Industrialization of Time, I sat down with the author in his out–of–a–movie Jaffe Building office to talk more about his process.
Philadelphia Democrats are pushing a hard loyalist line: either support the party, or leave. However, for many progressive–minded people, this is just too hard a stance to take. The door is still swinging behind 16 ward committeepeople who were purged from their positions in the Democratic party this past month, a supposed result of their supporting Working Families Party (WFP) candidates in the last election. The WFP is a pro–working class alternative that has gained support in Philadelphia, notably winning two at–large city council seats with the elections of Kendra Brooks and Nicolas O’Rourke. Since ward committees play pivotal roles in voter registration and neighborhood canvassing, these removals could have serious consequences for the already contentious 2024 presidential election.
Welcome, demigods and mortals alike, to a world where monsters lurk around every corner, gods walk among us, and the fate of the universe hangs in the balance. Yes, my friends, I'm talking about the enchanting realm of Percy Jackson and the Olympians, where ancient myths collide with the modern world in a whirlwind of adventure, humor, and heart. Grab your celestial bronze sword and your Camp Half–Blood T–shirt, because we're about to embark on a journey that's as thrilling as it is legendary: exploring the cultural phenomenon that is the new Percy Jackson TV show on Disney+!
Each year, Penn students shell out tens of thousands in tuition money and remain shackled to the ever–treacherous two–year on–campus living and dining scheme. But that’s not all we spend our money on. Street knows well that the bleak reality of a Penn student can only be soothed by the sweet embrace of a $7–15 daily treat—or two. Feel no shame, take no blame—we too, have had our wallets run dry at the Walnut Street CVS, Lyn’s food cart, and Saxby’s $6 cold brews. In honor of this month’s money issue, one of Street’s writers chronicled their daily purchases in a tell–all money diary.
Whether a die–hard Harry Potter fan or an unabashed Percy Jackson admirer, many students across the University of Pennsylvania’s campus can remember the excitement of picking up a new release of their favorite book series or staking out at Barnes & Noble to scour its new set of bestsellers. While not every student goes on to become an English or Comparative Literature major, the type of novels that students consume have a long–lasting impact on the development of their character and identity.
For Drew Basile’s (C ‘23) middle school self, competing on Survivor was a dream come true. Being just a few days short of winning a million dollars, less so. “Now, I’m a broke grad student living in Europe,” he tells me of his post–Survivor life.
When Priya Deliwala (C ‘24) enters—no, bounces—into a room with a radiant smile from ear to ear, one can’t help but feel infected by the contagious positive energy embodied by a bubbly, warm, and welcoming self. This senior exemplifies the importance of embracing diverse perspectives and remaining open to grabbing the reins of any new opportunity that arises. Looking at the beautiful, intricate Henna tattoo drawn on Priya’s hands, it is clear that Indian culture is embedded into every aspect of Priya's life. Priya feels like the most authentic representation comes forth in giving back to others. Selfless and attentive, Priya tries to make others feel visible and important as a well–rounded, strong, and compassionate individual.
The origin of film lies in its accessibility for the masses.
“Sorry, I can’t go out to dinner … I have $7 a day to live on.” In December 2023, comedian Lukas Battle posted a video to TikTok sharing his ins and outs list for the new year. “Quiet luxury is out and loud budgeting is in,” he claims. Loud budgeting, according to Battle, encourages transparency surrounding one’s choice to not spend money. “It’s not ‘I don’t have enough,’ It’s ‘I don’t want to spend.’” Battle is not the first influencer to propose a shift towards financial transparency among Gen–Z, however. According to CNBC, the hashtag #FinTok has amassed over 4.7 billion views on TikTok, providing online spaces for users to share snippets of their financial experiences.
In the tumult of midterm season (which is to say, anytime after the second week of classes) Penn students need motivation. What better way to fuel a study session or shift at work than with music pointing toward the ultimate end goal? According to some, it’s not love—Valentine’s Day is over. Not altruism either: “Changing the world” is much harder than your college admissions essays might’ve assumed. The answer is cold, hard cash—but not according to all of these tracks, which provide a variety of outlooks. All that glitters is not gold, but these songs sure are.
Under Bangkok’s scorching sun, the thick air blanketed the disordered piles of unwanted clothes. As I dug through Chatuchak Market’s endless textiles, I scooped up a stained Polo Ralph Lauren shirt of questionable authenticity, merch from an unheard–of university in the Midwest, and a pair of cargos nice enough to try on. In one of the largest thrift markets in Bangkok, a blend of Pinterest–worthy vintage stylers and local moms fitting their kids unite in their search for cheap clothes.
I am rain–soaked, hangry, and 30 minutes late when I finally arrive at Theater Exile. The South Philly black box performance space, tucked next to homes and across from a park, is the location for Theatre in the X's February installment of their OG Reading Series, which honors long–time Philadelphia playwrights. Inside the lobby, I’m greeted by the laughter of LaNeshe Miller–White and Walter DeShields, two of the three co–founders of Theatre in the X (along with Carlo Campbell). “We’re still in the eating and drinking portion of the night,” Miller–White tells me, before I am whisked downstairs to a table filled with vegan cheeseburger sliders, boxed wine, and beaming faces.
If you’re at all keeping up with the ever–vibrant pop punk scene, you may have had the time to listen to all 46 glorious minutes of Green Day’s 14th studio album, Saviors.
Bangs are riddled with personal histories. Some of us shudder at the pictures of old middle–school hairdos, while others have had to book emergency hair salon appointments over more recent late–night life epiphanies that did not, in fact, result in a new you, but instead a new task of cleaning the bathroom. Yet, regardless of our own knotted hair histories with bangs, there is no denying that we love them. They flatteringly frame our own faces, adorn our idols, and are almost always the feature in our favorite coming–of–age movies. However, the history behind curtain bangs, one of our favorite hairstyles, and their role in activism and politics is certainly more difficult to untangle.
Growing up alongside her grandparents, Samantha Cueto (N ‘24) developed a soft spot for the geriatric population. Now a senior at the School of Nursing, Samantha has dedicated her time at college toward conducting extensive research supporting the elderly. She has particularly enjoyed spearheading a community–based intervention aimed at increasing physical activity among Hispanic elderly individuals with dementia or cognitive impairment. When she’s not helping elderly patients at local hospitals and clinics or uncovering medical breakthroughs in the research labs, she’s playing Dungeons & Dragons with Penn Tabletop Club, practicing Japanese, or watching horror movies with her friends. Samatha’s positive energy radiates as she expresses her gratitude to her friends, the people that have undoubtedly made her Penn experience.
“This rap shit done saved my life, and fucked it up at the same time,” raps Danny Brown in the opening line of his sixth studio album, Quaranta. Brown has had a long complicated relationship with rap music. A true student of the game as apparent on his comedy podcast, The Danny Brown Show, the 42–year–old Detroit rapper has an almost encyclopedic knowledge of hip–hop music.
Labels like ‘hysteric’ or 'madwoman’ have been used to persecute women since the 18th century. Why, then, are women today voluntarily self-identifying as ‘sad girls’? Why has the Twitter account above garnered hundreds of thousands of followers—and is this a step forward, or a step back? These tweets come from Melissa Broder’s originally anonymous Twitter account, which was the launchpad for her rise to fame. Broder has now published three critically acclaimed novels and multiple poetry collections. She is often invoked as an icon of the ‘Sad Girl’ movement: the gloomy teen-girl aesthetic that first came to the internet ten years ago, encapsulated by Tumblr images of crying girls and Lana del Rey lyrics. Broder’s position within the movement is exciting because her work has carved a novel intersection between internet popularity and literary status. Her internet niche is polarizing: some deplore internet Sad Girls, while others see them as exhibiting defiant feminism. Audrey Wollen, one of the Sad Girl movement’s champions, describes it as ‘the proposal that the sadness of girls should be witnessed and re-historicized as an act of resistance, of political protest’. Wollen argues that when women like Broder share their rawest moments online, they explicitly overturn the historical silencing of female sadness, allowing women to overcome shame about their mental health.
Conan Gray was christened teen pop’s newest patron saint as early as 2018, when his EP Sunset Season was released. Tracks on the project such as “Crush Culture” and “Greek God” displayed dreamy production paired with yearning, sardonic lyrics that resonated with teenagers, his target audience.
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