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(04/17/24 2:25am)
Music Business at Penn arrived on campus this semester, but its already began establishing itself as an inexorable facet of Penn culture and a welcomed deviation for the many Penn students wrapped desperately in the finance straitjacket of Wharton.
(04/05/24 4:10am)
As an Art History major, and an avid consumer of all things relating to the art world, when I stumble into a gallery or attend an event centered around art, all my opinions and ideas feel somewhat intentional, very guided by the academic and critical art world around me. My mom, who has a keen eye and wonderful taste (I must give it to her), has not faced that same art world indoctrination. When she is presented with scores of extraordinary art, she does not seek out impressive chiaroscuro or innovative archetypal representations; Instead, she admires what draws her eye, what immediately evokes emotion, and more simply, what sparks joy and, as she puts it, “seems cool.”
(02/26/24 2:42am)
You can tell how admired someone's work is by how their academic peers celebrate their triumphs. At his winter book launch, it was clear that André Dombrowski is certainly well-recognized by fellow Art History scholars. After History of Art Department's celebration of Professor André Dombrowski's new book Monet’s Minutes: Impressionism and the Industrialization of Time, I sat down with the author in his out–of–a–movie Jaffe Building office to talk more about his process.
(02/02/24 2:45am)
That painful and mirthful moment when you look at someone you believe you know intimately, and their face seems inexplicably unfamiliar. You feel like you’ve never really looked at them long enough to notice your eyes' perception, to account for all their subtle nuances. You see them as though they are a stranger, even if they are the dearest thing in the world to you. You feel like only now do you actually understand what they look like. This is what Nan Goldin captures in each of her photographs, she exposes the subtle nuances, the raw human experience. She forces you to stare at things long enough to really see what they look like.
(02/14/24 5:00am)
How do you untangle your existence from someone you’ve built your life with? It’s especially difficult when, every time you pick up your phone, you look for their notification, hope they posted an Instagram story meant for you, or somehow snuck their way into your profile views. We’re always hoping to see our ex’s name on our screens, but do our expectations end there? Was our relationship dull enough that a story view makes our hearts drop? Or is this just the accepted contemporary alternative to grand gestures and delivered flowers? The hyperconnectivity between us and past relationships through the mediums of the digital age collapses the mystery, drama, and closure that exists in the turbulence of a romantic ending. Break–ups are boring—because it’s simply become too easy to check up on your ex.
(12/01/23 5:00am)
I walked into the Philadelphia Print Center in Rittenhouse Square to a welcoming crowd, off a small cobblestone street that made me feel like I had stumbled upon some small European gathering. When I went upstairs, I sat quietly as Alan Nakagawa chatted with the front row of the audience. I could tell he was grateful to be making connections, grounded in experiences, and anxious to talk about his career as an artist. This gratified excitement immediately helped me understand Nakagawa’s ability to find steady success in the ever–unpredictable art world.
(11/01/23 5:30pm)
You walk into an art museum, a gallery, a concert, a comedy show, a play, and you turn your brain off. You give up the nuisance of choice and submit your senses totally to the experience in front of and around you. When you participate in Zama’s chef–tasting menu, you do the same thing. It's less of a meal and more of an experience. It's an art form.
(10/23/23 4:00am)
When you hear “Frida Kahlo,” you picture her dark hair tied up with flowers, her skin a light brown, cheeks rosy, eyebrows full, eyes disinterested, and lips gently pursed, all adorned in a feminine Tehuana outfit. This is the image of Frida Kahlo that you see on tote bags, T–shirts, mugs, and magnets that the culture industry sells. From Frida Kahlo immersive experiences to “feminist” Frida Kahlo apparel, you can experience Kahlo’s likeness everywhere for a price. But this isn’t the Frida Kahlo that the artist revealed to us on canvas.
(10/19/23 4:00pm)
The desire to stay relevant in our dynamic society is at the forefront of almost everyone’s mind, both personally and professionally. We are constantly re–inventing ourselves, looking to bring in “fresh blood” to stay current. In the art market, artists emerge rapidly. There’s always something new and interesting to be seen. So, how can it be that Gagosian, the largest and most well–regarded art gallery, is exhibiting deceased artist’s work at five of their 19 gallery spaces? Why does it keep trying to sell us something we’ve already seen before?