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(09/01/22 10:00am)
It’s around 10 p.m. on a Friday, and I’m shuffling my feet on the corner of 36th and Market streets outside of an imposing black storefront accentuated with magenta flowers and neon blue lightning bolts. The awning reads “Pace Blossom,” the words split by a circle of petals with a heartbeat graphic in the middle. The street is eerily quiet, save a few speeding cars, and the stanchions posted outside of the building’s doors sit stiff like security guards.
(08/18/22 1:00pm)
Bucks County, Pa. sits squarely between Philly and Trenton, N.J. Google Images will tell you that it’s a wholesome land of pumpkin patches and cutesy clapboards. But Kay Gabriel’s freewheeling narrator, Turner, will tell you the truth.
(08/18/22 10:03pm)
After the success of Thor: Ragnarok, many fans had high hopes for director Taika Waititi’s sequel Thor: Love and Thunder. However, the film released to mixed reviews, becoming one of the worst–rated Marvel Cinematic Universe (MCU) movies on Rotten Tomatoes.
(08/24/22 1:00am)
Having opened just last August, Alchemy Coffee x Keystone Wellness Shop quickly became a staple on the corner of 21st and Moravian streets. The cafe uniquely merges coffee culture with wellness, selling Keystone Wellness Shop’s CBD oils, herbs, and topicals alongside lattes and pastries.
(08/10/22 5:04pm)
Nope, Jordan Peele’s third directorial project, is part of a dying breed of theatrical films: originals. As much as Top Gun: Maverick is a jet–setting thrill ride or Minions: The Rise of Gru is meaningless fun, both films (and countless others) are franchises led by already–established characters.
(08/08/22 5:57pm)
After rendering Pharrell Williams speechless in a New York University masterclass with the lilting folktronica song “Alaska,” Maggie Rogers became famous in the way that singer–songwriters only dream of—overnight and all at once. But instead of capitalizing on her newfound fame, she disappeared after her 2019 tour, retreating to coastal Maine to cope with burnout. Rogers enrolled in Harvard Divinity School and began creating music once again, culminating in her second album, Surrender, which is aptly titled after her master's thesis—an examination of the almost spiritual relationship among artist, audience, and performance.
(08/08/22 1:00pm)
What makes us hate a fictional character? Greed? Dishonesty? Immorality?
(08/07/22 1:00pm)
Transportive. That’s the best way to describe the experience of listening to the new self–titled album by Florist—less a band than an entity of folk music, conjured by songwriter Emily Sprague in solitude and in communion with a trio of friends. To make this record, the group lived and improvised together in a Hudson River Valley house as an exercise in resynthesis.
(08/05/22 10:30am)
From driving down dark, endless suburban California highways to exploring star–lit desert forests, songwriting duo Lila Dubois (C’ 25) and Miles Tobel are creating music that can’t be missed. In their premier album, Maybe This is a Bad Idea, the pair amplifies acoustic emotions into cinematic experiences. Through musical landscapes and gritty lyrics, their artistic relationship is one of sophisticated harmony.
(07/24/22 4:00am)
As a former Jenny Han addict, I knew I had to drop everything and watch The Summer I Turned Pretty the moment it dropped on Hulu. For the uninitiated, the book–adapted series follows the story of Isabella “Belly” Conklin, a 15–year–old whose family stays in a summer home at the Hamptons–esque Cousins Beach every year, courtesy of her mom’s well–off best friend Susannah and Susannah’s two teenage sons.
(07/15/22 1:57pm)
For the last two months, Netflix, the biggest streaming service in the world, has released its biggest show to date: Stranger Things Four. Undoubtedly, Stranger Things is Netflix’s flagship show, racking over 1 billion hours of viewership worldwide and closing in on Squid Game’s 28–day record of 1.65 billion hours.
(07/16/22 4:00am)
One month ago, I had never used Gopuff, despite being tech–savvy and usually in–the–know.
(06/27/22 4:00am)
Bo Burnham is back with some more “Content.” Open wide.
(06/25/22 4:00am)
The human experience exists in color and motion. Visuals and emotions often capture events better than words, no matter how complex or provocative the event may be. When we see stories adapted on screen, we’re bound to gravitate towards lingering camera work, color contrasts that match the mood, and graphics that force us to look and listen. So it makes sense when Love Death + Robots describes itself as mind–bending. Its use of animation generates unseen adventure, both familiar and unfamiliar, and bends the rules for how humans see themselves in fiction.
(06/24/22 4:00am)
On the first warm day of 2020, I rode my bike to Franklin D. Roosevelt Park, or as Philly natives call it, “The Lakes.” At Broad Street and Pattison Avenue, I followed the gravelly, soiled path that faded into a vast grassy lawn (it was once a golf course) but was now undoing itself into a knee–high meadow of yellow and purple weeds after the city shut down. I would sit under the same tree each day, kicking some leftover golf balls or watching groundhogs peek through the islands of trees, just waiting for a person to pass. During the first week of June 2022, the abandoned golf course that recently became “the South Philly Meadows” was gated to prepare for the hundreds of people expected there for the annual Philadelphia Flower Show.
(06/26/22 4:00am)
Shopping for bras and underwear of any kind can be difficult.
(06/22/22 1:00pm)
For those who have been to Repo Records—an unskippable stop while walking down South Street—one of its trademark qualities is its attic–like crowdedness. The smell of incense wafts in from one corner and shelves of music memorabilia are squished in another. Band T–shirt racks fill the center of the store, and of course, the uncountable vinyl across its walls. It’s a space definitely known for its record signings, but one you wouldn’t expect to fit a concert inside.
(06/14/22 4:00am)
Sophia the Robot, Robert Zemeckis’ The Polar Express, and Aldous Harding can all make you feel discomfort. But—barring any technofuturists or early–aughts CGI fanatics—only one has the power to make you feel something beautiful.
(06/13/22 2:10am)
The set of School Girls; Or, The African Mean Girls Play is made of an earthy color palette of oak, grass, and desert yellow, taking place in the cafeteria of Aburi Girls Boarding School in the mountains of Ghana. But the moment the Arden Theatre’s Arcadia Stage dims, the white–paper window paneling and tranquil plant silhouettes explode into a hot pink, covering the stage as an electric guitar cues five girls to sit down for lunch.
(06/04/22 3:00pm)
If you frequented YouTube in the 2010s, you probably came across Marcel the Shell With Shoes On, a three–part series of under–one–minute stop motion mockumentary–style videos following a one–inch–tall shell and his tiny life within the corners of a house and the comparatively large objects within it. The brainchild of filmmaker Dean Fleischer–Camp and comedian–actress Jenny Slate (at the time a couple, since separated), the Marcel the Shell with Shoes On shorts have now been expanded into a feature–length film produced by A24 and set for a summer release.