Arts
Melissa Broder on Obsessive Love and Mental Illness
One X account and three novels later, Melissa Broder tells Street that writing hasn’t solved her problems.
Local Theater: The New Third Space?
Philly playwright Shay Overstone builds a community of first–time actors with independent productions.
'Hung Liu: Happy and Gay'
What once fits a child's hand now fills a wall, but not without raising new questions.
Afternoons at the Prado With Goya’s ‘Black Paintings’
The paintings are dark, fascinating, twisted, and scarily real—we want to both turn away and look forever.
Refusing the American Dream in ‘The Emperor of Gladness’
The bestselling author has returned with another emotional epic.
Photography Sans Performance
Reclaiming memory through intentional photography and self–awareness
Learning About Love Through Fireflies
Michael Arden’s 'Maybe Happy Ending' changed my life.
My Quarter–Life Bible
In 'Free Food for Millionaires,' Min Jin Lee offers a cure for competence.
Squeezing into Femininity: Christina Ramberg at the PMA
As part of Street's Philadelphia Museum of Art roundup, explore the influence of perfectionism and restraint on the female form at this major retrospective
Still Moments Pulled From Everyday Chaos
'Staged' espouses the enduring pull of photography for grasping the story of our lives.
The Museum as an Environment
Where the ‘Ecology of Fashion’ exhibit at Drexel’s Academy of Natural Sciences works and where it doesn’t.
Our Personal Poxes
A review of Octavia Butler’s ‘Parable of the Sower'
Art Battle: Inside Philadelphia’s High–Stakes Live Painting Competition
Does creativity really thrive under pressure?
The Ubiquity of Yoshitomo Nara
You might not know his name, but you know his art.
A New Curatorial Vision for Philly
An interview with Megan Galardi, owner and curatorial director of Blah Blah Gallery, a sharply minded gallery in the Italian Market focused on women and non–binary artists.
Code Over Canvas, Bytes Over Brushstrokes
Is news of the world’s first AI museum heralding the death of traditional art?
Who's to Blame for the Commercialization of Cultural Trauma in Literature?
Are we, the readers, complicit?
Weike Wang’s ‘Rental House’ Reminds Us of the Opportunity Cost of Belonging
How do we know where to call home?
Purring Machines: ‘Nature Never Loses’ at the ICA
The major Carl Cheng retrospective is on display until April 6
